The Original Legendary Recordings

DG 111: The Conductors gathers all the great conductors on Deutsche Grammophon from the 1930s to the 2000s in one essential box set. A 40CD original-jacket collection with iconic recordings alongside rarer gems, several of the recordings found herein are new to CD or are experiencing their first international CD release.

The very best of Deutsche Grammophon’s piano recordings on 40 CDs, limited edition. From Aimard (The Art of Fugue) to Zimerman (his prize-winning Debussy Preludes on 1 CD for the first time), comprising all the great names – Argerich, Barenboim, Michelangeli, Gilels, Haskil, Horowitz, Kempff, Kissin, Pogorelich, Pollini, Richter; and the new names – Blechacz, Grimaud, Lang Lang, Trifonov, Yuja Wang, Yundi – this is the ideal set to form the cornerstone of a piano collection.

DG 111: The Conductors gathers all the great conductors on Deutsche Grammophon from the 1930s to the 2000s in one essential box set. A 40CD original-jacket collection with iconic recordings alongside rarer gems, several of the recordings found herein are new to CD or are experiencing their first international CD release.

Miles Davis - The Original Mono Recordings (2013) {9CD Box Set Columbia 88883756642 rec 1957-1964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.55 Gb | MP3 @320 -> 967 Mb
Full Artwork @ 300 dpi (png) -> 575 Mb | 5% repair rar
© 1957-64, 2013 Columbia / Legacy / Sony Music | 88883756642
Jazz / Hard Bop / Modal Music / Trumpet

For nearly half a century, Miles Davis (1926-1991) was arguably the preeminent innovator in jazz - rarely staying in the same place twice, experimenting with the most cutting-edge styles and ideas he could imagine. This year, some of Miles' most enduring works for Columbia Records are collected the way they were originally heard: MILES DAVIS: THE ORIGINAL MONO RECORDINGS. Each CD, newly remastered by Mark Wilder at Battery Studios, is housed in a mini-LP replica jacket, faithfully replicating the original LP sleeves. They are encased in a quality slipcase, alongside a 40-page booklet with rare photos and brand-new essay offering in-depth, first-hand accounts from George Avakian, who signed Miles to Columbia in 1955, AND play-by-play from mastering engineer Mark Wilder. This is the true genius of Miles Davis as most people first heard it, the way it was intended to be heard: in mono.

Deutsche Grammophon proudly presents 42 of its greatest ever recordings for violin, from its matchless catalogue of the finest violinists of the last 75 years. Fritz Kreisler began it all for the company by recording a series of his own compositions and arrangements. 31 violinists grace 111 The Violin, with recordings from the early 1900s to 2012.

The very best of Deutsche Grammophon’s piano recordings on 40 CDs, limited edition. From Aimard (The Art of Fugue) to Zimerman (his prize-winning Debussy Preludes on 1 CD for the first time), comprising all the great names – Argerich, Barenboim, Michelangeli, Gilels, Haskil, Horowitz, Kempff, Kissin, Pogorelich, Pollini, Richter; and the new names – Blechacz, Grimaud, Lang Lang, Trifonov, Yuja Wang, Yundi – this is the ideal set to form the cornerstone of a piano collection.

In 2014 Deutsche Grammophon celebrated the 20th anniversary of its flagship series, The Originals, with a limited edition collection featuring some of the labels greatest albums.
This second volume concludes the labels survey of its iconic series by presenting more legendary analogue albums. Including key recordings such as Beethovens Late Sonatas with Pollini, Berliozs Symphonie Fantastique with Markevitch, Brahmss Hungarian Dances with Karajan, Dvoraks New World with Fricsay, Chopin Preludes with Argerich, Respighis Fontane & Pini di Roma with Karajan, Schuberts Great C major Symphony with Furtwängler, the Schumann Piano Concerto with Richter and Dichterliebe with Wunderlich, Stravinsky with Boulez, Verdi Choruses with Abbado and many more.

In 2014 Deutsche Grammophon celebrated the 20th anniversary of its flagship series, The Originals, with a limited edition collection featuring some of the labels greatest albums.
This second volume concludes the labels survey of its iconic series by presenting more legendary analogue albums. Including key recordings such as Beethovens Late Sonatas with Pollini, Berliozs Symphonie Fantastique with Markevitch, Brahmss Hungarian Dances with Karajan, Dvoraks New World with Fricsay, Chopin Preludes with Argerich…

Only 12 songs long, this collection remains the best place to begin appreciating why so many young Texas blues guitarists fell in love with Gatemouth Brown's style (until MCA decides to compile the ultimate Brown package, anyway). Listen to the way his blazing axe darts and weaves through trombonist Pluma Davis' jazzy horn chart on 1954's "Okie Dokie Stomp," and/or the stratospheric licks drenching "Dirty Work at the Crossroads." Brown proves that a violin can adapt marvelously to the blues (in the right hands, anyway) on "Just Before Dawn," and blows a little atmospheric harp on "Gate's Salty Blues."