The Original Source

Some 30-plus years after his death and the popularity, the influence, and – more than anything – the iconoclastic status of reggae legend Bob Marley were still growing, so much so that his face on a t-shirt had become ubiquitous on college campuses, surpassing Che Guevara on posters and canvas banners as well. Marley, the documentary film and its accompanying soundtrack, aim to keep the man not only an icon, but a historical figure too by filling in his backstory with interviews, historical news footage, and that sweet, sweet reggae music that brought the man such a huge following…

A collection of hard-stompin,’ party-down, all original songs penned from the rock and roll heart of George Thorogood. Along with his unstoppable, longtime band, The Destroyers, the album showcases tracks like the tour de force anthem “Gear Jammer,” the heartfelt country ballad “Oklahoma Sweetheart,” and the previously unreleased “Back In The U.S.A.” Additionally, hard-hitting barnburners like “I Really Like Girls,” and “If You Don’t Start Drinkin’ (I’m Gonna Leave),” served up with classic Thorogood swagger and tongue-in-cheek panache.

Seven collaged suites of brand new Residents music, film dialogue and one or two familiar themes. 'Triple Trouble' the movie will be appearing at film festivals and art house cinemas near you throughout 2022. "From priesthood to plumber: In the wake of his mother's death, an idealistic but emotionally isolated man replaces his belief in God with a faith in fungus…"

A live document of the Brian Jones-era Rolling Stones sounds enticing, but the actual product is a letdown, owing to a mixture of factors, some beyond the producers' control and other very much their doing. The sound on the original LP was lousy – which was par for the course on most mid-'60s live rock albums – and the remasterings have only improved it marginally, and for that matter not all of it's live; a couple of old studio R&B covers were augmented by screaming fans that had obviously been overdubbed…

As part of The Stranglers' celebration of their Ruby Anniversary, the definitive collection of the B-side recordings they made whilst signed to Epic is released for the first time, via their own label. Appropriately, as befits a band marking forty years together, Here & There: The Epic B-sides Collection 1983-1991 gathers 40 tracks across 2 CDs and is also released as a 40 track digital package. The Stranglers released no less than 13 singles in the UK during this period, which saw them produce five albums: four studio and one live. The Stranglers signed to Epic Records in 1982 having been with United Artists / Liberty since 1977. The change of label coincided with changes in marketing policy across the UK industry - often dubbed "the Frankie Goes to Hollywood effect". Previously, The Stranglers' had released only one 12" single - an extended version of Bear Cage in 1980 - but from 2nd Epic single, Midnight Summer Dream until 1990, each release had a 12" version which required extra studio or, increasingly, live tracks to "add value" to the package.

An amazing display of expressivity achieved through daring 'prolations' and 'colorations'! There are at least half a dozen parody masses based on the chanson Fortuna Desperata, but Obrecht's is by far the most likely to keep the most secular audiences riveted to the music.