The Person And Primary Emotions

The Big City, the great Satyajit Ray’s first portrayal of contemporary life in his native Kolkata, follows the personal triumphs and frustrations of Arati (Madhabi Mukherjee), who decides, despite the initial protests of her bank-clerk husband, to take a job to help support their family. With remarkable sensitivity and attention to the details of everyday working-class life, Ray builds a powerful human drama that is at once a hopeful morality tale and a commentary on the identity of the modern Indian woman.

Bridging Science, Consciousness Studies, Philosophy and Spirituality with a Post-Material Synthesis of Knowledge

This guided meditation has been carefully scripted to help listeners deal with the pain of loss and bereavement. When you lose someone close to you, it is very important to process the grief and sadness you feel. I would suggest you do not use this recording straight after losing someone, as the primary emotions are too raw. Preferably wait a few weeks and then begin listening when you are ready to process your feelings and deal with your loss.

In a dusty, underpopulated California resort town, a naive southern waif, Pinky Rose (Sissy Spacek), idolizes and befriends her fellow nurse, the would-be sophisticate and “thoroughly modern” Millie Lammoreaux (Shelley Duvall). When Millie takes Pinky in as her roommate, Pinky’s hero worship evolves into something far stranger and more sinister than either could have anticipated. Featuring brilliant performances from Spacek and Duvall, this dreamlike masterpiece from Robert Altman careens from the humorous to the chilling to the surreal, resulting in one of the most unusual and compelling films of the 1970s.

Gerald C. Cupchik builds a bridge between science and the humanities, arguing that relations between mind and body are analogous to those between subject matter and style in art. His unified emotional phase theory encompasses reactions to meaningful life events and actions, enabling people to realize goals and adapt to challenges.

When Lucas Schmid, producer of the WDR Big Band, first mentioned his interest in a program of music from the Christmas Oratorio of J.S. Bach, arranged to feature this ensemble in combination with the King’s Singers, I was immediately interested and excited. Having collaborated several times with this group of uniquely gifted vocalists, including the WDR Big Band’s Bach 2000 project, I knew there was an opportunity to create something very special indeed. Bach composed the work between 1734 and 1735. Since each of the six cantatas that make up the Christmas Oratorio was originally intended for a particular Sunday in the liturgical year, the sheer quantity of music is far too much for a single performance. The first major part of my work, then, would be the musical selection.

As good as seeing a professional counsellor. *NHS and Insurance Approved*

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