The Pia

Out of the drawers! Pia Davila and Linda Leine give new perspectives on "ostracised music".

Maria Pia De Vito is an Italian jazz singer, composer, and arranger. A native of Naples, Italy, she studied classical music, opera, and Italian folk music. In 1976 she performed folk songs as a singer, guitarist, and pianist. In 1980 she sang with jazz musicians such as Art Ensemble of Chicago, Michael Brecker, Uri Caine, Peter Erskine, Paolo Fresu, Billy Hart, Maria Joao, Nguyên Lê, Dave Liebman, Bruno Tommaso, Gianluigi Trovesi, Steve Turre, Miroslav Vitous, and Joe Zawinul. In the 1980s she worked with Toots Thielemans and Mike Stern. She collaborated with Rita Marcotulli in the 1990s on the albums Nauplia and Fore Paese. She has often worked with the British composer Colin Towns and with pianist John Taylor.

Italian jazz, world and classical singer Maria Pia De Vito has a penchant for British pianists. Before hooking up with Huw Warren, in the late 1990s/early 2000s she made three albums with John Taylor, including her breakthrough set Phone (1998).
Dialektos is a richly fruitful collaboration between the two musicians, playing as it does to their mutual love of folk roots, energetic rhythms and strong melodies. Its cultural fulcrum is the southern Italian city of Naples, whose popular songs the virtuosic but earthy De Vito has celebrated on previous recordings…

Soprano Pia Davila and the ensemble Musica getutscht under the direction of Bernhard Reichel show how Claudio Monteverdi and his contemporaries transferred the modern dramatic style from secular opera to sacred music during the Counter-Reformation. For example, they told the Passion of Christ in a completely new way - namely from the personal perspective of the Virgin Mary and Mary Magdalene. Both lament the painful parting from Jesus, not only as their savior, but above all as their son and lover.