Lindsey Buckingham quit Fleetwood Mac after the release of their Tango in the Night album in 1987 and spent the subsequent five years working on his first post-Mac solo album, Out of the Cradle. Perhaps because he was now focused on his solo career, Buckingham reined in the experimental style of his first two albums, producing more conventional, accessible material, much of it similar to his later work with Fleetwood Mac…
Against The Grain by the reformed UK AOR-sters After Hours. Now I say unexpected because this is a band that have been defunct for just a little under a quarter of a century with their last release coming in the shape of their debut effort Take Off from 1988! AOR Heaven have also reissued that album and on the strength of Against The Grain, it is an album I'll be investing in sharpish! The After Hours story goes all the way back to 1987, but after that debut release things started to really build for them, with European tours, appearances on German TV and a sponsorship deal with Adidas. However keyboard player Rick Young soon left the band, being replaced by ex Michael Schenker man Andy Nye, but with record labels dragging the band round the world to record album number two After Hours basically disintegrated, although that second release Afterhours did see the light of day in 1992.
Digitally remastered edition of Howard Jones fifth and final long player album for Warner Bros. Released in April 1992, the album was produced by Jones with Ross Cullum, whom he had worked with on his previous album Cross That Line. Rupert Hine was the album's Executive Producer and it was mixed by Bob Clearmountain. In The Running marked a conscious move away from the use of electronic instrumentation towards more piano based melodies.
Andy Narell is the Jimmy Smith of the steel drums, an innovative player who has been responsible for introducing his instrument to jazz. On this CD Narell shows off the surprising versatility of his instrument, not only playing spirited Latin jams and calypsos but also heartfelt ballads and more complex works. The lively yet diverse date is a strong example of Andy Narell's talents.
The story began in 1975 with singer and guitar player David Radford releasing a first single that was not commercially successful. So David hired a new line-up in 1976 with Maurice Memmott and Steve Wyse. The band had the reputation to do some impressive live shows for the visuals and the audio in 1977-1979. They released a first album "Just like Mater Bates" and a second one in 1981 "Victims". In 1984, Gizmo reformed with Martin Reed on guitar. They played some shows with Ozric Tentacles, released an EP, suffers many line-up changes and finally split-up in 1992 after the release of their third album "They're Peeling Onions in the Cellar"…
The tracks on The Best of the Chieftains are drawn from The Chieftains 7, The Chieftains 8, and Boil the Breakfast Early–three of the band's recordings from the late 1970s. This was the period when former Bothy Band and Planxty flautist Matt Molloy and vocalist/bodhran player Kevin Cunniffe joined up and finally fulfilled Paddy Maloney's vision of what the band should sound like. It also marks the last time the Chieftains recorded pure, unadulterated traditional Irish music.
Mike Richmond has expressed his love of music on a global level. In addition to accompanying such stellar jazz musicians as Miles Davis and Stan Getz and folk/blues singer/songwriter Richie Havens, the Philadelphia-born bass player has performed in concert with Indian sitar player Ravi Shankar and the South Indian Orchestra and has served as chief instructor for the National German Jazz Orchestra. Initially a guitar player, Richmond was inspired by a Bill Haley and the Comets show that he attended with his parents in the mid-'50s. He switched to the bass after joining his high school orchestra. Richmond's understanding of world music developed at an early age. His mother frequently played Middle Eastern records in the family home…