The Pop up Pitch

Award-winning electro-pop duo from Australia, containing members of the Sleepy Jackson and Pnau.
Best known for their hit single "Walking on a Dream," Australia's larger-than-life electro-glam-pop duo Empire of the Sun feature the Sleepy Jackson's Luke Steele and Pnau's Nick Littlemore. Steele had previously worked with Pnau on "With You Forever," a track from the band's 2007 self-titled third album, and the pair enjoyed collaborating so much that they started their own project, drawing inspiration from the likes of Phoenix and Daft Punk. In fall 2008, Empire of the Sun released their debut album, Walking on a Dream, which the musicians described as "a spiritual road movie." Featuring songs co-written by Pnau's other half, Peter Mayes, the album went platinum in Australia and the title track became a hit single across the globe…

It may be far too obvious to even mention that Norah Jones' follow-up to her 18-million-unit-selling, eight-Grammy-winning, genre-bending, super-smash album Come Away with Me has perhaps a bit too much to live up to. But that's probably the biggest conundrum for Jones: having to follow up the phenomenal success of an album that was never designed to be so hugely popular in the first place. Come Away with Me was a little album by an unknown pianist/vocalist who attempted to mix jazz, country, and folk in an acoustic setting – who knew? Feels Like Home could be seen as "Come Away with Me Again" if not for that fact that it's actually better.

Other people's songs have long been a staple for Bob Dylan, who first made his name in Greenwich Village by singing folk songs in the early '60s and often returned to old tunes as the years rolled by…

Astrud Gilberto has never been properly anthologized by Verve Records; although they've released a number of compilations over the years, none of them have been definitive, and most of them have been rather skimpy. 1987's The Silver Collection, originally released only in Europe but later imported to North America, is an idiosyncratic selection. It omits "The Girl From Ipanema," her biggest hit, includes all 11 tracks from her 1965 release The Astrud Gilberto Album, and adds on a selection of singles and album tracks recorded from 1965 to 1970 with no particular logic. All that said, however, it's still one of the best compilations available of this idiosyncratic but brilliant singer's '60s material. Jazz purists turn up their noses at Gilberto, correctly pointing out her near total lack of technical ability. However, the Brazilian songbird's appealingly plain voice, with its deliberately wobbly pitch (the "desafinado" style celebrated in Antonio Carlos Jobim's song of that title), total lack of vibrato, and deadpan phrasing, is a delight for those attuned to its charms.