On December 8, 1941, the Disney Studio was taken over by the military as part of the war effort. Making the most of the talent that hadn't shipped out yet, Walt Disney spent the next four years creating and producing training, propaganda, and educational films for the Armed Forces. In addition to these films, this extraordinary volume also includes the full-length feature "Victory Through Air Power." Released theatrically in 1943, this powerful propaganda film has never been reissued until now. You'll also see recently discovered on-the-set footage, and get rare firsthand accounts about the work and culture at the Disney Studio in interviews with Disney Legends Joe Grant, John Hench, and Roy Disney. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.
A turning point in 20th century war history is the focus of this fact-based account of the 1942-1943 battle of Stalingrad, in which the Germans were finally defeated by Russian influence – one of the bloodiest battles in World War II history. The film stars Jude Law as Vassili, a marksman from the Urals who is transported to Stalingrad in 1942, and a master German sniper, Major Koenig (Ed Harris). Koenig, an expert German sniper, is determined to eliminate his formidable opponent by any means necessary; meanwhile, Vassili has joined forces with Danilov (Joseph Fiennes), a young Russian political adversary, who is impressed by Vassili's skills and raises his profile in the Soviet Union. Both Vassili and Danilov become involved with Tanya (Rachel Weisz), whose Jewish parents have been captured by the Germans and have forced her to take up with the men on a sniper expedition. Koenig and Vassili begin to develop traps for each other, until fate inevitably must bring the two sharpshooters together.
First things first: of course it's better than Results May Vary. How could it not be? But let's not get ahead of ourselves – Charmbracelet is better than Glitter, Generation Swine is better than that pseudo-industrial Mötley Crüe album without Vince Neil, but that doesn't mean you'd want to listen to any of them. But The Unquestionable Truth, Pt. 1 – whose title threatens a sequel and suggests a concept album – is certainly a comeback of sorts for Limp Bizkit…