The music of "Slim Chance & The Gamblers" is strongly based in Blues and R&B. Our objective is to play for the body, mind and soul in that danceability and lyrical substance are key factors. Each member brings their own special musical character and influence into the concoction that makes the unique sound that is "S.C.&.T.G… It's been said that " Their sound seems to fall somewhere between "The Black Keys", "J. Geils" and "Eric Clapton" Our music is as diversified in the blues realm as Joe Bonnamassa, Bonnie Raitt, or Delbert Mc Clinton. The line up includes: Mario Casella, Lead Vocals, Guitar, Rockin' Randy Ladet, Keyboards, Vocals, E G.Greene, Guitar and Slide, Jimmy Grant, 7 String Bass, vocals, Steve (Night Train) Murphy, Drums, and Johnny G. Reo, percussion.
This CD is the work of three exceptional blues musicians from the Milwaukee area. The trio consists of Jim Liban on harp, vocals and baritone guitar; Jim Schutte on drums; and Perry Weber on guitar and vocals. Simply stated, these fellas are the real deal. Jim Liban is one of the top blues harp players in the world, but woefully under recognized, and is a soulful singer as well. Schutte and Weber have exceptionally strong blues pedigrees (as does Liban).
The entire CD has a loose, stripped down juke joint vibe - just guitar, drums, harp and vocals on most tracks. No tricks or gimmicks here, folks. Shoot, the closest thing present to an electric bass guitar (sorry Cornbread) is a baritone guitar. Jim Liban’s harp tone is huge, both amplified and acoustic and his vocals are very good. The guitar work of Perry Weber is of the Eddie Taylor less-is-more style (Tasty!) and the drums drive the songs along without overpowering them. A true blues ensemble sound in the spirit of the master of Maxwell Street.
This is the third, and apparently, the last single of OMD taken from their 2013 album "English Electric". The CD is divided in two parts: "Night Café" in five different versions and… five non-album B-Sides, including the never released before "Kill Me". As per "Night Café", we have of course, the album version that really didn't need any further editing or remixing as the song in itself is just brilliant. A pure typical OMD songs in the vein of ‘Secret’ or "If You Leave", with a more melancholic and darker side probably. The four remixes are just what a New Wave fan expect from a remix: just enough experimentation and twittering, extending and fresh production with great respect of the artist's work, keeping some synth lines and not playing too much with vocals.
The tracklisting collects together all of the B sides, radio edits, extended 12″ mixes and remixes from The Punishment of Luxury era and brings them to CD for the very first time.
This B Sides & Bonus Material release effectively rounds up three singles, delivering ten tracks made up of three non-album B-sides, three single mixes and four extended mixes.