The Saallows

The Kinks came into their own as album artists - and Ray Davies fully matured as a songwriter - with The Kink Kontroversy, which bridged their raw early British Invasion sound with more sophisticated lyrics and thoughtful production. There are still powerful ravers like the hit "Til the End of the Day" (utilizing yet another "You Really Got Me"-type riff) and the abrasive, Dave Davies-sung cover of "Milk Cow Blues," but tracks like the calypso pastiche "I'm on an Island," where Ray sings of isolation with a forlorn yet merry bite, were far more indicative of their future direction. Other great songs on this underrated album include the uneasy nostalgia of "Where Have All the Good Times Gone?," the plaintive, almost fatalistic ballads "Ring the Bells" and "The World Keeps Going Round," and the Dave Davies-sung declaration of independence "I Am Free."

By sheer size alone, Universal’s 2011 Deluxe Edition of the Kinks' debut album trumps any previous reissue of the album, weighing in at a whopping 56 tracks spread over the course of two CDs. This includes the album in both its stereo and mono mixes, both sides of the “Long Tall Sally,” “You Still Want Me,” and “All Day and All of the Night” singles, the tracks from the Kinksize Session EP, the demo of “I Don’t Need You Anymore,” a couple of alternate takes and mixes, and a clutch of BBC sessions punctuated by interviews with Ray Davies. Although the album proper is slowed down by a little filler, the wealth of bonus material improves the overall experience: many of the single and EP tracks are better than what’s on the LP, the live sessions smoke, and the remastering kicks hard, all factors in making this the best edition ever of the Kinks' debut.

“Video” is the third chapter of the Swedish act Fans Of The Dark, an exciting new band formed in 2020 by Freddie Allen, drummer and main songwriter and lead vocalist Alex Falk, when they reconnected few year after the high school, where they went together, with a vision to create a band which would mix the melodies and approach of classic and melodic rock. Their musical output continue over the path of their first two albums and “Video” is one of the most exciting things you'll hear emerging from the fruitful melodic rock in Sweden, showcasing a tight, inventive musical approach with outstanding vocals. Get ready for a fantastic ride!

Wild & greasy blues at its best, a two-song session for an anthology turned into an all-night, live-in-the-studio jam. Sounds like it was great fun.
Signing to Alligator in the mid-'80s, they released their debut album, Roughhousin', in 1986 and found themselves receiving national attention. They began playing urban clubs and festivals all over the country and eventually toured Canada, Europe, and Japan.

Sometimes the bloodlines show up and at other times they explode with a fanfare that shows itself to the world. Lil' Ed Williams traces his heritage back to his uncle, one of the Chicago blues legends, slide guitar master J.B. Hutto. He was tutored by his uncle, and the West Side Chicago blues scene that nurtured him, and readily gives J.B. much of the credit for his prowess. He captures some of that same raw street energy that was his uncle's trademark on many of the tracks on this, his fifth Alligator release. Listen to "The Creeper" to get an idea of the savage fury that he can channel through his slide guitar work. This disc manifests that feel for the blues that can't be taught, but must be both lived and seen from the inside…

The name of the group might be immodest, but the combination of pianist Hank Jones, bassist Buster Williams and drummer Tony Williams lives up to its billing. Originally cut for the Japanese East Wind label and last available domestically as an Inner City LP, this swinging but unsurprising session features boppish interpretations of six jazz standards including "Love for Sale," "Secret Love," and "Autumn Leaves."