The Sick House

These are the REAL stories of the medieval Knights who dedicated their entire lives to God and to the fight against His enemies…the men of the Holy Orders …The CRUSADERS.

These are the REAL stories of the medieval Knights who dedicated their entire lives to God and to the fight against His enemies…the men of the Holy Orders …The CRUSADERS.

This exclusive video collection is jam-packed with the gritty best from noted New York filmmaker Richard Kern. His sexually-charged work has been alternately dismissed as “violent” and “offensive” by the mainstream press, but embraced by the underground as the perverse standard. Says Kern, “I've tried it all: crime thrills, drug thrills, sex thrills. Nowadays, I get most of my thrills by offending people with my films. I don't even have to be there. I can sit far away and think, “Someone's watching my video right now and thinking, Yeeughh!”

In Kansas City, the deranged middle-age Donna Germaine stabs and kills her lover, when he calls off their relationship to stay with his wife. Donna uses an excuse to move to the house of her aunt, and she becomes obsessed in their neighbor, the executive William Costigan. The sick Donna plots an evil scheme to take William from his wife Jeannie Costigan.

In the late 1940s, the incandescent Hollywood star Ingrid Bergman found herself so stirred by the revolutionary neorealist films of Roberto Rossellini that she sent the director a letter, introducing herself and offering her talents. The resulting collaboration produced a series of films that are works of both sociopolitical concern and metaphysical melodrama, each starring Bergman as a woman experiencing physical dislocation and psychic torment in postwar Italy. It also famously led to a scandalous affair and eventual marriage between filmmaker and star, and the focus on their personal lives in the press unfortunately overshadowed the extraordinary films they made together. Stromboli, Europe ’51, and Journey to Italy are intensely moving portraits that reveal the director at his most emotional and the glamorous actress at her most anguished, and that capture them and the world around them in transition.

The opening title reads: "A comedy with a smile–and perhaps a tear". As she leaves the charity hospital and passes a church wedding, Edna deposits her new baby with a pleading note in a limousine and goes off to commit suicide. The limo is stolen by thieves who dump the baby by a garbage can.

In the future, humans are divided into Sex Negatives and Sex Positives. The negatives get sick if they have sex so they go to Cafe Flesh to see positives who are forced to perform on stage for the negatives. Lana is a positive who everyone thinks is a negative and she must decide whether to come clean or not.