The deluxe edition of THE SOUND OF THE SMITHS appends the standard version with a bonus disc of rarities, deeper album cuts, and live tracks, providing an even more in-depth overview of the beloved 1980s British rock act. Highlights of the second disc include an energetic concert performance of "Handsome Devil," an alternate version of "Pretty Girls Make Graves," and "The Queen Is Dead," a searing song lifted from the esteemed album of the same name.
The Smiths were an English rock band formed in Manchester in 1982. The group consisted of vocalist Morrissey, guitarist Johnny Marr, bassist Andy Rourke, and drummer Mike Joyce. Critics have called them one of the most important bands to emerge from the British independent music scene of the 1980s. In 2002, the NME named the Smiths "the artist to have had the most influence on the NME". In 2003, all four of their albums appeared on Rolling Stone's list of the "500 Greatest Albums of All Time". The band broke up in 1987 due to internal tensions and have turned down several offers to reunite.
This 90-minute documentary film covers the full story and music of The Smiths. It features rare musical performances, videos, TV appearances, interviews with the band, and expert comment and review from an esteemed panel of experts. It is the first of its kind to document the history of one of the most important band of the 1980s: The ultimate icons of the "indie" genre. It includes contributions from; producers Stephen Street, John Porter and Kenny Jones; Smiths fifth member Craig Gannon; Author of Saint Morrissey Mark Simpson; Journalists Paul Morley, Nigel Williamson, Jake Kennedy and John Robb; Factory Records supreme Tony Wilson; ‘Roadie’ Grant Showbiz; DJ and early champion David Jensen and a host of other names.
Upon leaving the Smiths in 1987, Johnny Marr embarked on a musical walkabout, choosing to collaborate rather than build a career. He began playing studio sessions, appearing on records by Talking Heads, Pretenders, Kirsty MacColl, Pet Shop Boys, and Billy Bragg, embarked on an extended collaboration with Matt Johnson of The The, and formed Electronic with Bernard Sumner, effectively sitting out the great Brit-pop explosion of the '90s. By the turn of the millennium, he finally tried his hand at fronting a band, turning in the underwhelming Boomslang with the Healers in 2003, before once again sliding into a supporting role, joining Modest Mouse in 2006 and then decamping for the Cribs a few years later.