The Sound of Freedom

This foot-stomping six-part series - made by the BBC team who produced the critically-acclaimed "Lost Highway", "Walk on By" and "Dancing in the Streets" series - charts the evolution of soul music, with a fascinating combination of rare archive footage and over 100 contemporary interviews.

Based on the bestseller by Stephen E. Ambrose, the epic 10-part miniseries Band of Brothers tells the story of Easy Company, 506th Regiment of the 101st Airborne Division, U.S. Army. Drawn from interviews with survivors of Easy Company, as well as soldiers' journals and letters, Band of Brothers chronicles the experiences of these men who knew extraordinary bravery and extraordinary fear. They were an elete rifle company parachuting into France early on D-Day morning, fighting in the Battle of the Bulge and capturing Hitler's Eagle's Nest at Berchtesgaden. They were also a unit that suffered 150 percent casualties, and whose lives became legend.

Mikio Naruse was a contemporary of the great post-war Japanese masters Yasujiro Ozu and Kenji Mizoguchi and indeed his works lie somewhere in between Ozu’s natural rhythms of everyday family life and Mizoguchi’s outlook on female issues and social injustices. In some respects Naruse even surpasses these two great directors in their own areas, his films being more naturalistic and not as formally rigid as Ozu, tackling a wider range of subjects and issues, those concerns often being adapted from the works of female authors, giving them a truer perspective on female issues than Mizoguchi, whose films can often seem like a man’s guilt-ridden perspective on the treatment of women in society.

Adapted from a novel by Yasunari Kawabata, the first Japanese author to be awarded the Nobel Prize for Literature, Sound of the Mountain typifies Naruse’s preferred genre of shomin-geki (films about the daily lives of ordinary people). Set in the ancient seaside town of Kamakura, Kawabata’s home, Sound of the Mountain depicts the increasingly close relationship between a childless young woman, Kikuko (Setsuko Hara), and her father-in-law, Shingo (So Yamamura), to whom she turns as her own marriage, to the neglectful and philandering Shuichi (Ken Uehara), disintegrates. A domestic drama of rare existential insight and emotional subtlety, Sound of the Mountain draws on the concerns of Naruse’s earlier marriage films, including Repast (even the pairing of stars Hara and Uehara is reprised), to offer a profoundly moving account of the complex relationship that develops between an older man and a younger woman.

Anarchy is often used as a synonym for chaos and destruction with anarchists seen as black-clad nihilists fomenting violence at peaceful protests. But NO GODS NO MASTERS reveals the far more complex history of a viable social system and the men and women who devoted themselves to making it a reality.

Val Lewton produced a handful of low-budget horror movies in the 1940s that had a revolutionary impact on the genre. From 1942-1946, he ran RKO’s horror department, employing a method that has now become a staple of contemporary horror films. Lewton preferred psychological terror over monsters and gore. His films were a mix of mood and atmosphere, fueled by shadowy camera work, moral anxiety, tight pacing, and the suggestion of fear over shock value.