The Spirit of Green

Other recent King's Singers' recordings on this label have reaffirmed the ensemble's credentials as compelling advocates of contemporary music. Here, only the most hardhearted of early music purists could fail to find the infectious cocktail of popular and religious Spanish music–largely 16th century–going to their heads, even if the King's Singers add the occasional theatrical embellishment. The music (much of it by "Anon") is organized into five categories, among them "fire" and "water" (with the alternative implications of ardor and alcohol).

Grant Green - Feelin' The Spirit plus 1 (1962) {Blue Note Japan, CP32-9527, Early Press, rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 600 dpi (png) -> 170 Mb | 5% repair rar
© 1962,1987 Blue Note / Toshiba EMI Japan | CP32-9527
Jazz / Hard Bop / Soul Jazz / Guitar

Soulful, spiritual work from guitarist Grant Green – an exploration of older tunes with a hip Blue Note 60s soul jazz approach! The album features Grant working in a quartet with Herbie Hancock, Billy Higgins, and Butch Warren – plus some added tambourine on a number of tracks – and the overall approach is extremely laidback and open, with Green soloing in a personal style that's a bit less frenetic than some of his other work of the period.

Broadening his musical palette, Grant Green detoured into a number of "theme" sessions in 1962 - the light Latin jazz of The Latin Bit; the country & western standards of Goin' West; and the best of the bunch, the old-time gospel album Feelin' the Spirit. For Feelin' the Spirit, Green takes five traditional, public-domain African-American spirituals (plus the CD bonus track "Deep River") and gives them convincing jazz treatments in a quartet-plus-tambourine setting. Green's light touch and clear tone match very well with the reverent material, and pianist Herbie Hancock is tremendous in support, serving the needs of the music and nailing the bright gospel style perfectly. Similarly, Green's playing never gets too complicated or loses sight of the melodies, yet he never runs short of ideas - which goes to show that Feelin' the Spirit is indeed a labor of love…

Broadening his musical palette, Grant Green detoured into a number of "theme" sessions in 1962 - the light Latin jazz of The Latin Bit; the country & western standards of Goin' West; and the best of the bunch, the old-time gospel album Feelin' the Spirit. For Feelin' the Spirit, Green takes five traditional, public-domain African-American spirituals (plus the CD bonus track "Deep River") and gives them convincing jazz treatments in a quartet-plus-tambourine setting. Green's light touch and clear tone match very well with the reverent material, and pianist Herbie Hancock is tremendous in support, serving the needs of the music and nailing the bright gospel style perfectly. Similarly, Green's playing never gets too complicated or loses sight of the melodies, yet he never runs short of ideas - which goes to show that Feelin' the Spirit is indeed a labor of love…