The ultimate Squeeze album is, of course, Singles, 45's and Under. This is a classic album of 1980s pop that belongs in any record collection. This compilation (The Piccadilly Collection) is an updated release of classic Squeeze tunes, containing many of the favorites from Singles, 45s and Under (Pulling Mussels, Tempted), as well as newer material from the 1990s (Everything in the World, Some Fantastic Place). It includes a few other noteworthy songs (Hourglass, Love's Crashing Waves) that are worth having, as they are of the same quality as the material from "Singles". In addition, there are a few interesting tunes (Spanish Guitar, Elephant Girl) that are positive additions and are relatively unknown. This is a good compilation to buy if you need a Squeeze CD that covers the highlights but also adds some newer material.
'Squeeze' is the new album from Hollywood's new bad boys of party Rock n Roll: The Bites. Primed to drop jaws with their monster hybrid of breath-taking high speed garage rock rhythms, stadium-ready choruses, unashamedly retro style and, above all, their dedication to making every live show an undeniable excuse to party, 'Squeeze' will be ready for rock fans to sink their teeth into during Summer 2023.
The second full-length from sacred steel genius Robert Randolph & the Family Band delivers, from the studio, the same promise, grit, grease, and sweat that Live at the Wetlands did. Randolph pulls out the stops in the studio, using his own band, without any of the hotshot guest stars who he's appeared with in the last two years. Unclassified features a road-tested, studio-savvy band using all of its collected gifts with producer Jim Scott to make a record that is as much about soul, funk, hard rock, folk, and jam band intensity as it is about the gospel music that first inspired the unit.
Austin-based pianist and singer Marcia Ball began her solo career in earnest with the 1984 album Soulful Dress, and 30 years later, she's still pounding out the blues and boogie on The Tattooed Lady and the Alligator Man. The biggest challenge of a career that's been chugging along for more than three decades is keeping things fresh, and while The Tattooed Lady doesn't blaze many new trails, the album proves Ball's mojo is still working as a songwriter and a piano player, and she clearly hasn't run out of things to say.
True, it's impossible for any of these ten-track collections to be definitive, but they're nevertheless solid samplers that don't feature a bad song in the bunch. For example, take the Who's 20th Century volume. Yes, there are some great, great songs missing, but what's here (with the possible exception of "Squeeze Box") is terrific, including "My Generation," "Happy Jack," "I Can See for Miles," "Magic Bus," "Pinball Wizard," "Behind Blue Eyes," "Who Are You," "Join Together," and "Won't Get Fooled Again." Serious fans will want something more extensive, and neophytes would be best served by more well-chosen collections, but this disc is quite entertaining, considering its length and price. That doesn't erase the ridiculousness of the series title, but the silliness is excusable when the music and the collections are good.
During their first two years of recording, the Animals had never quite succeeded when it came to recording LPs - good as some of the songs on their first two albums, done for EMI, had been, there was this sense that single were what this band was really about. Then, newly signed to English Decca, they delivered Animalisms, a truly transcendent collection of a dozen songs, mostly superb covers interspersed with some good originals, principally by Eric Burdon and Dave Rowberry. Burdon was never singing better and the group had developed a bold, tight sound that seemed to lift his soul shouting to ever higher levels of passion and conviction. "Outcast," "Maudie," "You're on My Mind," "Clapping," "That's All I Am to You," "Squeeze Her - Tease Her," "I Put a Spell on You," "She'll Return It," and "Gin House Blues" all rate among the best work the band ever did, passionate, gorgeous, and exciting R&B down to the last note…
The Who by Numbers functions as Pete Townshend's confessional singer/songwriter album, as he chronicles his problems with alcohol ("However Much I Booze"), women ("Dreaming From the Waist" and "They Are All in Love"), and life in general. However, his introspective musings are rendered ineffective by Roger Daltrey's bluster and the cloying, lightweight filler of "Squeeze Box." In addition, Townshend's songs tend to be underdeveloped, relying on verbosity instead of melodicism, with only the simple power of "Slip Kid," the grace of "Blue Red and Grey," and John Entwistle's heavy rocker "Success Story" making much of an impact.
This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!