The Story That Had no Beginning

Undisputed kings of symphonic power metal BLIND GUARDIAN have been beavering away at a brand new project, and it is finally here for all to enjoy. But know this, true believers: the new project isn’t the same epic power metal band we know and love. It is, instead, the BLIND GUARDIAN TWILIGHT ORCHESTRA. It’s a whole new thing, and in collaboration with celebrated German fantasy author Markus Heitz, they have brought to light a fantasy tale of epic proportions in the form of Legacy of the Dark Lands…

Tensions were growing within the Velvet Underground following the release of their sophomore album, White Light, White Heat: the group was tired of receiving little recognition for its work, and Lou Reed and John Cale were pulling the group in different directions. The differences showed in the last recording sessions the band had with Cale in 1968: three pop-like songs in Reedx27s direction (Temptation Inside Your Heart, Stephanie Says and x27Beginning to See the Light) and a viola-driven drone in Calex27s direction (Hey Mr. Rain)n Reed told Sterling Morrison and Mo Tucker that Cale was out, and while neither was happy with the idea, faced with a choice of either no Cale or no band at all, the pair reluctantly sided with Reed. Cale played his last show with the Velvets at the Boston Tea Party in September 1968, and was fired shortly afterwards.Before work on their third album started, Cale was replaced by musician Doug Yule, formerly of the Boston group the Grass Menagerie, who had been a close associate of the band.

This six-part series presents the definitive history of archaeology, a 250-year worldwide odyssey that began with the unearthing of the ruins of Pompeii buried beneath the ash of Mt. Vesuvius. In a short time, archaeologists started pursuing very different objectives: some were treasure-seekers hoping to plunder antiquities of the ancient world; others sought to prove theories about the origins of civilization or the historical accuracy of Homer or the Bible; still others focused on humans themselves, trying to determine the age of the species. The series also looks at how archaeology has been misused as an instrument of foreign policy and where the study is going in the future with new technologies and methods.

This is the premise of Utopia and Terror in the 20th Century. Professor Vejas Gabriel Liulevicius traces the violent history of that era, beginning with its early roots in the American and, especially, the French revolutions. With each passing lecture, you will see how the 20th century's violence was the result of specific historical developments that eventually combined, with explosive results.