The Taste of Others

Three men, three women, opposites, possibilities, and tastes. Castella owns a industrial steel barrel plant in Rouen; Bruno is his flute-playing driver, Franck is his temporary bodyguard while he negotiates a contract with Iranians, his wife Angélique does frou-frou interior decorating and loves her dog. The conventional Castella hires a forty-year-old actress, Clara, to tutor him in English, and he finds her and her Bohemian lifestyle fascinating. Is this love? What would she say if he declared himself? Through Bruno, Franck meets Manie, a barmaid who deals hash. They begin an affair. Are they in love? They joke about marriage. As the women hold back, the men must make decisions.

Every time you open a bottle of wine, you embark on a unique journey through a wonderful world of sensations. Yet for all its pleasurable qualities, wine can be bewildering in its mystery and complexity.
Which countries or regions are known for making the best types of wine, and why?
Why do some wines pair well with certain foods and occasions and not others?
What does the taste of a particular wine reveal about where, and how, it was grown?
What's the correct temperature at which to store red wine? How about to serve it?

Black and white, gay and straight, mothers and daughters, class, and coming of age. Jo is working class, in her teens, living with her drunk and libidinous mother in northern England. When mom marries impulsively, Jo is out on the streets; she and Geoffrey, a gay co worker who's adrift himself, find a room together. Then Jo finds herself pregnant after a one night stand with Jimmy, a Black sailor. Geoffrey takes over the preparations for the baby's birth, and becomes, in effect, the child's father. The three of them seem to have things sorted out when Jo's mother reappears on the scene, assertive and domineering. Which "family" will emerge?

Penny Applebee's parents were divorced when she was quite young and she grew up with her mother. After her mother's death, the wheelchair-bound Penny has accepted her father's invitation to live with him. She arrives only to learn that her father is away though her stepmother - who she is meeting for the first time - proves to be quite welcoming.

Montag the Magnificent (Glover) is a master illusionist who performs at underground venues, selecting female volunteers from his rave-like audiences. To their hysteria, it appears he's dismembered their bodies, but his sleigh of hand has fooled them. However, female bodies show up dead from the same wounds performed on stage. Investigators are baffled, and the chase to find the killer begins.

A psychopath nicknamed Buffalo Bill is murdering young women across the Midwest. Believing it takes one to know one, the FBI sends Agent Clarice Starling (Jodie Foster) to interview a demented prisoner who may provide clues to the killer's actions. That prisoner is psychiatrist Dr. Hannibal Lecter (Anthony Hopkins), a brilliant, diabolical cannibal who agrees to help Starling only if she'll feed his morbid curiosity with details about her own complicated life. This twisted relationship forces Starling not only to face her own inner demons, but leads her face– to–face with a demented killer, an incarnation of evil so overwhelming, she may not have the courage or strength to stop him. Horrific, disturbing, spellbinding. This thriller set the standard by which all others are measured.

In his controversial masterpiece The Great Dictator, Charlie Chaplin offers both a cutting caricature of Adolf Hitler and a sly tweaking of his own comic persona. Chaplin, in his first pure talkie, brings his sublime physicality to two roles: the cruel yet clownish “Tomainian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie and Paulette Goddard in stellar supporting turns, The Great Dictator, boldly going after the fascist leader before the U.S.’s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin’s famously impassioned speech.