Among the most sampled groups of the '60s and '70s by a slew of top rap and hip-hop artists of the '90s and beyond, the legendary New Orleans band and Grammy Lifetime Achievement awardees The Meters created an instantly recognizable sound through almost a decade of recording, initially for the Josie label and then for Reprise and Warner Brothers. Group members guitarist Leo Nocentelli, bassist George Porter Jr., drummer Joseph 'Zigaboo' Modeliste and keyboardist/singer Art Neville formed the core of the band, later augmented by Art's younger brother, percussionist/singer Cyril who joined The Meters in 1975. This wonderful 116-track, 6-CD SoulMusic Records' box set showcases The Meters' entire recorded output for Josie Records (1968-1971), Reprise and Warner Brothers (1972-77). In addition to their eight full albums, this luxurious package (with a 40-page booklet) includes non-album singles, bonus material, single edits and a rare 1977 disco mix of 'Disco Is The Thing Today', available for the first time on CD.
This three-disc compilation features many of the Mills Brothers' best tracks. Although Golden Greats does not cover the vocal group's whole career, it still competes well with the definitive Mills Brothers: The Anthology (1931-1968) and perhaps represents them better.
This 2014 three-fer contains Loosen Up Naturally, The Sons, and Follow Your Heart, the albums the Sons of Champlin recorded between 1969 and 1971. These are also the Sons' first three albums and it's possible to hear them stretch out with each subsequent record, deepening their grooves, highlighting their jazz inflections, and eventually folding in a rather smooth, sun-kissed gloss. Unlike many of their San Franciscan brethren, they weren't particularly hard-edged or Dionysian: they had a stronger sense of soul and rhythm, they reveled in feel over texture. This can mean that all three of these records meander a bit – songwriting wasn't a Sons specialty – but there's an open-hearted attitude to the trinity that remains appealing.
Forty Licks, like Elvis' 30 #1 Hits, is a career-spanning compilation that wouldn't have happened without the unprecedented, blockbuster success of Beatles 1. Where Elvis' set is hurt by the simple fact that there are too many damn Elvis comps on the market, the Rolling Stones benefit greatly from the fact that there has not been any set that chronicles all their recordings from the '60s through the '90s…