It took the Dead Weather two years to make and release Dodge and Burn, with the bandmembers recording whenever they had time to play together and issuing several songs as singles through Third Man's subscription service, The Vault. Despite these fragmented origins, this is the Dead Weather's most satisfying and engaging album, with everything that was good about their previous music getting a shot of adrenaline. The charged opening track, "I Feel Love (Every Million Miles)," is the first sign that things are a little different this time, with the spare swagger of '70s metal and boogie rock providing a platform for some of Dean Fertita's most unhinged guitar playing and some of Alison Mosshart's wildest vocals.
Midwest Farmer's Daughter isn't merely an autobiographical title for the retro country singer/songwriter Margo Price, it's a nice tip of the hat to one of her primary inspirations, Loretta Lynn. The connections between the two country singers don't end there. Toward the end of her career, the Coal Miner's Daughter wound up collaborating with Jack White for 2004's Van Lear Rose, and White's Third Man Records provides a launching pad for Price, releasing her self-financed solo debut as-is as Midwest Farmer's Daughter.
Sea of Cowards arrived less than a year after the Dead Weather's debut, Horehound, an album that sounded like a bootleg of a 3 a.m. jam session – not a surprise, really, considering that the idea for the band came out of impromptu playing at Jack White's house. It’s also unsurprising that the Dead Weather evolved quickly, given that the group went from releasing Horehound to touring to recording again almost nonstop. Sea of Cowards isn’t a radical change from Horehound’s smoky, sludgy sound – if anything, White, Alison Mosshart, Dean Fertita, and Jack Lawrence go even deeper into their classic rock and blues fetishes – but it feels more organic, the product of a band instead of four separate personalities.
Formed in New York City, Interpol quickly rose to prominence with their unique blend of post-punk, shoegaze, and dark wave influences. Their debut album, Turn on the Bright Lights, became a critical and commercial success, establishing the band as a major force in alternative music. Over the course of their career, Interpol have released seven critically acclaimed studio albums including The Other Side of Make-Believe in July 2022.
Expectations for a project featuring members of the White Stripes, the Raconteurs, the Kills, and Queens of the Stone Age would almost have to run high. After all, these are all bands that find ways to draw on the classic tenets of rock without sounding completely indebted to the past. Yet the Dead Weather – which combines the talents of Jack White, Jack Lawrence, Alison Mosshart, and Dean Fertita – aren't so much concerned with living up to expectations as they are about defying them. There's a different kind of alchemy on Horehound than on any of the bandmembers' other projects. Not only does White returns to his first instrument, the drums, he also trades in the high-pitched yelp he uses with the Stripes and Raconteurs for a deeper, at-times unrecognizable, voice on "I Cut Like a Buffalo," the lone Horehound track he wrote by himself.