Nobody really expected the Berlin Wall to come down in 1989, and so suddenly. Roger Waters especially, because he had once made a promise never to perform The Wall again after the 1980 tour until the bricks fell in Berlin. But they did, and Waters had no intention to renege on his promise. The Wall became a star-studded megaconcert to benefit the Memorial Fund for Disaster Relief, with larger bricks, bigger inflatable puppets, and a larger audience than any of the original Pink Floyd shows. There was always a contradiction in performing such a personal work in a stadium setting, but here it becomes especially acute when opening up the vocal tasks to a variety of artists.
Writing on the Wall's only album was theatrical heavy blues-psychedelic-rock that, despite its power and menace, was too obviously derivative of better and more original artists to qualify as a notable work. The organ-guitar blends owe much to the Doors, Procol Harum, and Traffic, though the attitude is somehow more sour and ominous than any of those groups. The vocals are sometimes pretty blatant in their homages to Arthur Brown, particularly when Linnie Paterson climbs to a histrionic scream; Jim Morrison, Gary Brooker, and Stevie Winwood obviously left their imprints on him too. Throw in some of the portentous drama from the narrations to the Elektra astrological concept album The Zodiac: Cosmic Sounds (particularly on "Aries") as well…
The Wall is a British concert film by Roger Waters. Directed by Waters and Sean Evans, it captures performances of Waters' live tour…
Roger Waters The Wall is the second theatrical film adapted from Pink Floyd's 1979 concept album The Wall, which makes this 2015 soundtrack the fourth official full-length rendition of Roger Waters' rock opera to be released. Surprisingly, Alan Parker's 1982 film never had an accompanying soundtrack – its one original song, "When the Tigers Broke Free," appeared as a 7" but never made its way into live shows; as it happens, the 1982 film only existed because an attempted concert film fell apart (Is There Anybody Out There?, a 2000 double CD, excavated live recordings from 1980-1981) – but that movie loomed nearly as large in the legend of The Wall as the original double album, crystallizing it as an anthem of angst.
Roger Waters, co-founder and principal songwriter of Pink Floyd, fuses the epic and the personal in Roger Waters The Wall, a concert film that goes well beyond the stage. Based on the groundbreaking concept album, Roger Waters The Wall could be called a concept film: it's a state-of-the-art show that dazzles the senses, combined with an intensely personal road trip that deals with the loss Roger has felt throughout his life due to war. On stage and now on film, Waters has channeled his convictions into his art and his music. With Roger Waters The Wall, Waters – together with his fellow musicians and his creative collaborators – brings audiences an exultant ride of a rock and roll concert, and delivers an unforgettable, deeply emotional experience.