Monumental isn’t even a word strong enough to describe the new Epica offering, Ωmega, the first collection of all-new material in five long years. On their eighth full-length, the Dutch symphonic metal titans go all cinemascope, in a stunt both effortlessly and cunningly unleashing their biggest, grandest, flashiest opus yet. Mind you, that’s not lightly said for a band like Epica. Formed by composer Mark Jansen after leaving After Forever back in 2002, they quickly gained attention outside their home country, taking big steps towards becoming the leading symphonic metal superpower they have long proven to be. After their ambitious debut The Phantom Agony (2002) and the surprisingly eclectic sophomore work, Consign To Oblivion (2005), the road took them to new heights via their first concept masterpiece, The Divine Conspiracy (2007) and their global breakthrough, Design Your Universe (2009).
Brit-born actress and recording artist – and longtime French resident – Jane Birkin may have gained fame and fortune as being the protégé – and the greatest love – of composer, director, and national French hero the late Serge Gainsbourg, but her long reign as cultural heroine and quirky pop vocalist has been the result of her own toil and sweat. One would never consider that the lanky, ever-thin Birkin, she of the slightly flat, shaky voice, could have this sort of longevity, but the Europeans are far different from Americans and far more embracing than Yanks.