The World to Come

A global war begins in 1940. This war drags out over many decades until most of the people still alive (mostly those born after the war started) do not even know who started it or why. Nothing is being manufactured at all any more and society has broken down into primitive localized communities. In 1966 a great plague wipes out most of what people are left but small numbers still survive. One day a strange aircraft lands at one of these communities and its pilot tells of an organization which is rebuilding civilization and slowly moving across the world re-civilizing these groups of survivors. Great reconstruction takes place over the next few decades and society is once again great and strong. The world's population is now living in underground cities. In the year 2035, on the eve of man's first flight to the moon, a popular uprising against progress (which some people claim has caused the wars of the past) gains support and becomes violent.

The most unusual war of the 20th century took place in 1969. El Salvador and Honduras faced one another in a qualifying set for the 1970 World Cup. Tensions were already boiling over in the two countries over the issue of Salvadoran workers in Honduras. But soccer sometimes brings out the worst in people, and the games turned from friendly competition into a full-scale military invasion by El Salvador on its neighbor. Although the fighting lasted only four days, the combat damaged two nations already teetering on the brink of economic collapse. And it all started over a soccer game.

And you will find few war stories this potentially interesting in The Century of Warfare, an interminable series from the History Channel. A low-budget 1993 British production that relies on public domain footage, library music, and a monotonous British narrator with a soporific voice, this 26-episode series somehow manages to make one of the most inherently interesting subjects stunningly pedestrian and dull.

While challenging common beliefs on the history of civilization, the film takes the audience back to 12 thousand years ago, to Gobeklitepe, an ancient site recently found in SanliUrfa, Turkiye. With its brilliant graphics and interviews with experts, the film shows how old taboos come tumbling down as we keep scratching the surface.