"Out of Control" was the third single from The Rolling Stones' album Bridges to Babylon. Credited to Mick Jagger and Keith Richards, it was their second and final single of 1998…
For more than four decades now, Eric Hoeprich has specialized in performing on the historical clarinet. His expertise as a musician, scholar and instrument maker allows for a unique approach to the repertoire of the 18th and 19th centuries. Founding member and principal clarinet of the Orchestra of the Eighteenth Century, Hoeprich has performed frequently as a soloist with the orchestra, with his recording of Mozart’s Clarinet Concerto for Glossa, under the direction of Frans Brüggen (2001), being a major milestone. With his ensembles Nachtmusique and Stadler Trio he has also made frequent recordings for Glossa, while his collaborations with the London Haydn Quartet have yielded another handful of fine albums for the label, the latest of which, published just a few months ago in 2020, contains two Weber Clarinet Quintets and is a perfect companion for the current release.
More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’—featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt—was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.” This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
"Saint of Me" is a single by The Rolling Stones from their 1997 album Bridges to Babylon. Mick Jagger sings about various people in history who had converted to Christianity, notably St. Paul and St. Augustine. Jagger then states that they will never make a saint out of him…
The band's second LP was very strong; this time, most of the tunes are originals, with the exception of a cover of "Bald Headed Lena." Joe Butler and Yanovsky are featured on some lead vocals, and the album includes two more hits, "You Didn't Have to Be So Nice" and "Didn't Want to Have to Do It."
This cd contains one of the best performances of Telemann's well-known A Minor Suite for recorder and strings. Sarah Cunningham is a fine recorder player, and Monica Hugget plays first violin and directs the Orchestra of the Age of Enlightenment, who play on period instruments. The strings play with very little or no vibratto, which might sound a bit dry to some listeners, but the elegance and precision of this band will win over many others. The A Minor Concerto for recorder is also given an enjoyable performance, but the remaining pieces, a Suite in D for Viola da gamba, and a Sinfonia in F for recorder and gamba are less pleasing, mainly because the gamba playing of Marion Verbruggen is somewhat less than exciting.
THE END MACHINE are back with their sophomore album, "Phase2," which follows on the heels of their well-received and successful self-titled debut album released in 2018. The End Machine features former classic lineup Dokken members George Lynch and Jeff Pilson with the awesome singer Robert Mason (Warrant, Lynch Mob) on lead vocals. Classic Dokken drummer Mick Brown handled drums on the first album, but is now retired, so in his place behind the drum kit is none other than his brother Steve Brown. The new record builds on the great bluesy hard rock music of the debut, but sees the band move more towards the classic Dokken sound and the result is a 2.0 reboot of a killer music machine!
If there's a band that deserves a good compilation, it's the Pretty Things. Thankfully, Snapper has the rights to the band's entire catalog, and has done an excellent job of remastering individual albums. This best-of is derived from that remastered material and does the Pretty Things proud with an extensive and exhaustive trawl through the group's archives…