San Francisco's Beyond-O-Matic plays a dreamy, sometimes quirky, electronically psychedelic brand of space music that has just enough freakiness, and even a fair dose of dissonance, to put it firmly in the space realm, but is somewhat undefinable in it's interpretation. The band consists of Kurt Stenzel (aka Stenzo) on vocals, keyboards, guitar, and delay loops, Franktus Evictus on drums and voices, David Gresalfi on linndrum, samples, and vocals, and the Reverend Peter Fuhry on vocals, cross5 guitar, thebeatles, acoustic bariguitar, long stiff finger off doom, toy piano, accordion, flute, metal clarinet, and delay loop effects. What's that? You've never heard of a thebeatles? Or a long stiff finger of doom?
With Revolver, the Beatles made the Great Leap Forward, reaching a previously unheard-of level of sophistication and fearless experimentation. Sgt. Pepper, in many ways, refines that breakthrough, as the Beatles consciously synthesized such disparate influences as psychedelia, art song, classical music, rock & roll, and music hall, often in the course of one song. Not once does the diversity seem forced – the genius of the record is how the vaudevillian "When I'm 64" seems like a logical extension of "Within You Without You" and how it provides a gateway to the chiming guitars of "Lovely Rita." There's no discounting the individual contributions of each member or their producer, George Martin, but the preponderance of whimsy and self-conscious art gives the impression that Paul McCartney is the leader of the Lonely Hearts Club Band.
Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds, and lyrical content.
San Francisco's Beyond-O-Matic plays a dreamy, sometimes quirky, electronically psychedelic brand of space music that has just enough freakiness, and even a fair dose of dissonance, to put it firmly in the space realm, but is somewhat undefinable in it's interpretation. The band consists of Kurt Stenzel (aka Stenzo) on vocals, keyboards, guitar, and delay loops, Franktus Evictus on drums and voices, David Gresalfi on linndrum, samples, and vocals, and the Reverend Peter Fuhry on vocals, cross5 guitar, thebeatles, acoustic bariguitar, long stiff finger off doom, toy piano, accordion, flute, metal clarinet, and delay loop effects. What's that? You've never heard of a thebeatles? Or a long stiff finger of doom? Well there are pictures of these nifty buggers on the band's web page and they sure seem to be homemade stringed instruments of some mutated fashion (I ask about them in the interview). The end result is a work that puts electronics in the forefront, but subtly incorporates this varied instrumentation to produce music that is beautiful and uniquely beyond-o-matic. "Your Body" is the band's third release.
For 50 years, The White Album has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn. The Beatles have now released a suite of lavishly presented White Album packages, including an expanded 3CD package. The album's 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell and features the new stereo album mix on 2CDs, adding a third CD of the Esher Demos. This is the first time The BEATLES (‘White Album’) has been remixed and presented with an additional disc demo recordings. To create the new stereo audio mixes for ‘The White Album,’ Giles Martin and Sam Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. This 3CD ‘White Album’ release includes Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes.
The Best Of The Beatles Vol.2 was released by Dixie Live in 1992 in the Italy. The album contains only live performances by The Beatles.
San Francisco's Beyond-O-Matic plays a dreamy, sometimes quirky, electronically psychedelic brand of space music that has just enough freakiness, and even a fair dose of dissonance, to put it firmly in the space realm, but is somewhat undefinable in it's interpretation. The band consists of Kurt Stenzel (aka Stenzo) on vocals, keyboards, guitar, and delay loops, Franktus Evictus on drums and voices, David Gresalfi on linndrum, samples, and vocals, and the Reverend Peter Fuhry on vocals, cross5 guitar, thebeatles, acoustic bariguitar, long stiff finger off doom, toy piano, accordion, flute, metal clarinet, and delay loop effects. What's that? You've never heard of a thebeatles? Or a long stiff finger of doom?