They Call me mr

This 4-CD box set contains 100 classic recordings, many available for the first time in originally recorded stereo. All tracks are digitally remastered.

Various Artists - Let Me Tell You About The Blues - New York: The Evolution Of New York Blues (2009) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 682 Mb | MP3 @320 -> 479 Mb
Full Artwork @ 300 dpi (png) -> 125 Mb | 5% repair rar
© 2009 Fantastic Voyage / Future Noise Music Ltd. | FVTD030
Blues / Regional Blues

The blues recording industry began in New York City and for most of the 1920s, musicians travelled from all parts of the country to make their mark in the recording studio. Bessie Smith and Ma Rainey were amongst the most popular female singers but they were soon rivaled by the likes of Lonnie Johnson, Robert ‘Barbecue Bob’ Hicks, Texas Alexander and Mississippi John Hurt. Kansas Joe McCoy cut ‘When The Levee Breaks’, justly famous in its Led Zeppelin incarnation, in the city.

VA - Rolling Stone Rare Trax Vol. 03 - Der Andere Soundtrack: Coole Filmmusik-Versionen
EAC+LOG+CUE | FLAC: 322 MB | Full Artwork | 5% Recovery Info
Label/Cat#: None, Promo | Country/Year: Germany 1997
Genre: Rock | Style: Compilation

RARE TRAX is a continued series of promotional samplers given away with the german edition of Rolling Stone magazine since the 1990's and has reached volume 80 already. Each version covers a special topic and presents lesser known songs and/or artists.

Various Artists - Bluesin' By The Bayou: Rough 'n' Tough (2014) {Ace Records CDCHD 1403}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 288 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 300 dpi (jpg) -> 30 Mb | 5% repair rar
© 2014 Ace Records | CDCHD 1403
Blues / South Louisiana / South East Texas

The second “Bluesin’” volume in the “By The Bayou” series concentrates on musicians from South Louisiana and South East Texas discovered and recorded by J.D. Miller and Eddie Shuler. These two giants of the post-war recording scene were supreme talent-spotters. They knew the sounds that appealed to the local record-buying public, their target audience. What they couldn’t have known, or even guessed at in their wildest fantasies, was that the appeal of their recordings would last so long and encompass the globe.

Besides the legendary B.B. King and Muddy Waters, a live Newport audience in New York hears some lesser lights such as Eddie "Cleanhead" Vinson. Of historical interest, Big Mama Thornton, Arthur "Big Boy" Crudup, and Jay McShann offer renditions of their own songs that were covered for a much larger audience by Janis Joplin, Elvis Presley, and others…

At first listen, Slidin' Slim is obviously the real deal: the deep voice, the dexterous resonator guitar picking, and the road-worn lyrics all add up to an impressive, raw delta blues sound reminiscent of John Hammond. However, once you dig a little deeper, a real interesting fact emerges: Slim is from The South - The South of Sweden, that is. Born Anders Lindalius, Slidin' Slim has been one of Northern Europe's fastest rising blues talents. 'One Man Riot' is his U.S. debut and deftly showcases not only Slim's obvious talent as a player, but also his abilities as a songwriter. Slidin Slim truly epitomizes the universality of good, heartfelt blues.

One of the finest blues guitarists to emerge during the '80s, Ronnie Earl often straddled the line between blues and jazz, throwing in touches of soul and rock as well. His versatility made him one of the few blues guitarists capable of leading an almost entirely instrumental outfit, and his backing band the Broadcasters became one of the more respected working units in contemporary blues over the course of the '90s, following Earl's departure from Roomful of Blues. Ronnie Earl was born Ronald Horvath in Queens, New York, on March 10, 1953. He didn't start playing guitar until after he entered college at Boston University in the early '70s and became fascinated with the local blues scene…

Back Stabbers is a studio album by Philadelphia soul group The O'Jays, released in August 1972 on Philadelphia International Records. Recording sessions for the album took place at Sigma Sound Studios in Philadelphia, Pennsylvania in 1972.