Still in his twenties, Pétur Sakari studied in his native Finland and in Paris and made his recording début at the age of 18. On his previous disc for BIS, he performed works by five French composers, receiving international acclaim with top marks in Diapason as well as on the Klassik-Heute website.
As a life-long fan of Williams' film music, I have only recently discovered his more "serious" pieces. Like many versatile composers before him (think Korngold, Waxman, etc.), Williams is able to function in both worlds, writing rousing, effective scores and introspective, yet extremely dynamic works for concerto and orchestra.
It is always a thrill to hear a performance of newly discovered music by a favourite composer, especially when it includes previously unknown versions of much loved works like Marin Marais’ La Folie The music on this disc is a selection taken from a manuscript in the Scottish National Library of 150 pieces for solo viola da gamba.
The half-Polish, half-Norwegian quartet led by fiery alto saxophonist Maciej Obara is gaining ground as one of the most exciting groups on the contemporary jazz scene. Both the band and its ECM debut Unloved were awarded the Fryderyk Prize in Poland in 2018, and early in 2019 the Obara Quartet also took first place at the BMW Jazz Awards in Munich. Now comes the quartet’s second ECM album Three Crowns (named for the Trzy Korony mountains in Southern Poland). Its programme is comprised of six new pieces by Maciej and two free arrangements of compositions by Henryk Górecki (1933-2010). The Obara Quartet launches the album with a major concert at the NOSPR Concert Hall in Górecki’s hometown Katowice, and follows up with a tour with dates in Poland, France, Austria and Germany.
First released in 1984 and reissued in 2001, this disc featuring the Alban Berg Quartet's recordings of the string quartets of Debussy and Ravel, as well as Stravinsky's Three Pieces, Concertino, and Double Canon for string quartet should never be out of the catalog. The Alban Berg Quartet is not necessarily the first group one would think of for this repertoire, but the performances here are consistently impressive, if somewhat uncharacteristic.