Tidy my Music

This Rhino U.K. 2012 budget-priced box set rounds up the prime of the Replacements: five albums, beginning with their debut Sorry Ma, Forgot to Take Out the Trash, continuing with the Twin/Tone landmarks Hootenanny and Let It Be, then concluding with their major-label debut Tim and their first post-Bob Stinson album Pleased to Meet Me. These aren't the expanded versions Rhino put out in the 2000s; they're just the albums, but that's enough to make this a worthwhile purchase, particularly at this price. The Replacements were an American rock band formed in Minneapolis, Minnesota in 1979. Initially a punk rock band, they are considered one of the pioneers of alternative rock.

The particular strength of the Teldec reissue is its splendid cast, all of whom are technically outstanding, invest their every word with meaning and make recitatives fully alive. The titlerole is in fact one of the smallest, but Tear makes a burly, headstrong king, who handles the scene of the writing on the wall with fine dramatic instinct… Palmer is immensely moving… Esswood, as Daniel, impresses by the beauty of his tone and his command of long phrases; Lehane's brilliantly exuberant ornamentation, apparently improvisatory, marks her as a natural mistress of the style…and van der Bilt shows a rich voice throughout… The Stockholm Chamber Choir is firm-toned and tidy.

This is Skride's first disc. The booklet proclaims these works to be ‘solo manifestos’ not only for Baiba Skride in establishing her credentials on disc but also for the composers themselves. Indeed there is a tidy connection that links the three composers, Bach being the bedrock that both Ysaÿe and Bartók acknowledge through their works.

The fourth of Motorpsycho’s expanded archival sets revisits 1997’s Angels and Daemons at Play – a chronological and developmental follow-on from the earlier Blissard set…

Donizetti composed Pia de’ Tolomei during the summer and autumn of 1836 in Naples, where he was living at the time. In December he set out for Venice, where the premiere was planned for February the next year at the Teatro La Fenice He travelled via Livorno and Genoa but when he arrived in Genoa he was met by the news that the theatre had been destroyed by fire on the night of 12/13 December…

- Göran Forsling, MusicWeb International

On this 1986 debut, Steve Earle burst on the scene as a fully formed songwriting master, synthesizing effortlessly the finest parts of country-folk troubadours like Townes Van Zandt and the anthemic, working-class rock of Bruce Springsteen. "Someday," a country-rock masterpiece about a kid stuck pumping gas in a dead-end town, remains the perfect realization of this style, and with the exception of the slight and silly "Little Rock 'N' Roller," most everything else here (especially "Hillbilly Highway" and the heartbreaking ballad "My Old Friend the Blues") comes awfully close. The 2002 reissue, overseen by Earle and original producer Tony Brown, offers fresh remastering, new liner notes by Earle, and a bonus live version of Springsteen's "State Trooper."