Tigran

Although Tigran Mansurian has turned to the string quartet medium many times in his career, he has preserved only those mature works that reflect his deepest feelings and speak in a private language of mourning and loss. The chief influences behind the String Quartet No. 1, "In memory of David Chandschian" (1983-1984) and the String Quartet No. 2, "In memory of Eduard Chagagortzian" (1984) are evidently the quartets of Bartók and Shostakovich, though Mansurian has developed a quasi-religious strain derived from Armenian composer Komitas, which tends to make his works resemble the late twentieth century music of Arvo Pärt in its harmonic simplicity and chaste modality.

Conceived jointly by violinist Movses Pogossian and violist Kim Kashkashian on the occasion of Tigran Mansurian’s 80th birthday, the Con anima project brings together a dedicated cast of players to perform the Armenian composer’s chamber music. The emphasis is on newer pieces - only the Third String Quartet dates from the 20th century - but there is a timeless quality to Mansurian’s work, all of which resounds with the spirit of his homeland. “His works are full of signifiers that come from Armenian ornaments, paintings or stones, “ writes Elena Dubiunets in the CD notes. “His music itself feels as if it was carved out of stone.” Sonata da Chiesa is dedicated to the memory of priest-composer-folklorist Komitas, an enduring inspiration for Mansurian. Agnus Dei is influenced by Armenian sacred music, and Die Tänzerin is based upon an Armenian folk dance.

This is a breathtakingly beautiful recording – Kashkashian has always been masterful in selecting the elements of her albums, but she’s outdone herself here. She performs works by Betty Olivero, Tigran Mansurian, Komitas and Eitan Steinberg – the settings include a viola-percussion duet, a piece for viola and small ensemble with tape, a solo piano piece (performed by Mansurian), a piece for viola and orchestra and one for viola and string quartet.

2019 is a milestone year for altoist Will Vinson. It’s twenty years since he relocated to New York from his native London, and commenced an exploration that led him into the heart of that city’s legendary scene, where the tradition and the avant-garde intersect. Seven records as leader have confirmed his stature: now, for his debut on Whirlwind, titled four forty one, he’s dug into his contact book to present the realization of a long-held dream - to record with five of the greatest contemporary piano masters. Sullivan Fortner, Tigran Hamasyan, Gerald Clayton, Fred Hersch, and long-time associate Gonzalo Rubalcaba are each matched with their respective bass and drum team of Matt Brewer and Obed Calvaire, Matt Penman and Billy Hart, Matt Brewer and Clarence Penn, Rick Rosato and Jochen Rueckert, and Larry Grenadier and Eric Harland, to create five dream trios for Vinson to play off “as a bystander and participant at the same time.”

"This compact disc presents all the studio recordings that remain from a time when, as a twenty-five year old champion of the avant-garde, I had to seek for every possible occasion of playing the new works of our composers. In those days, they were hounded and ripped apart by ideological critics; now they are recognized as the masters of new music. Audiences today need to realize with how much excitement and trust people discovered and took over the new currents seeping in from Europe through the Iron Curtain. These works represent and symbolize a marvelous epoch of friendship, a time when we came to know new horizons and discovered ourselves in the Soviet Union's huge, heterogeneous spaces." (Alexei Lubimov. May 2003)

Happy coincidences can often lead to extraordinary results. No-one could have foreseen that Lars Danielsson and the Armenian pianist Tigran would pair up to form the new dream duo of the European jazz scene, when in fact the two musicians played their first concert together only one week before the scheduled recordings of Liberetto. It was clear from the first note that two musical soulmates had found each other, and despite it happening by coincidence the result of their meeting was all the more intense. Lars Danielsson says: “Tigran sees my music exactly the way I do and he composes music exactly the way I would do myself. For example, his ‘Svensk Låt’ sounds more Swedish than my songs. It was simply fantastic to record this album with him.”

Dhafer Youssef - Abu Nawas Rhapsody (2010) {Jazzland Recordings 0602527295565}
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© 2010 Dhafer Youssef / Jazzland Recordings | 0602527295565
Spiritual Sufi / World Jazz Fusion / Ethnic Jazz / Mysterious / Oud

Acclaimed for his fusion of world music with jazz, vocalist and oud player Dhafer Youssef now focuses more on the acoustic side of jazz with an exciting new quartet that includes pianist Tigran Hamasyan, bassist Chris Jennings and drummer Mark Guiliana. This new recording contrasts the sense of calm and serenity created by Dhafer's mesmeric voice and oud playing with Guiliana's trademark combination of energetic rhythmic multiple layers. The very special mix of musical elements and creative talent produces a new and original soundscape. With the musicians' commitment to exploring and experimenting paired with their subtlety and courage to be silent, it is sure to catch the ear of any attentive listener.