One of the most celebrated singer/songwriters of his generation – and recipient of the Grammy’s 2020 Lifetime Achievement Award – John Prine was a master storyteller whose work was often witty and always heartfelt, frequently offering a sly but sincere reflection of his Midwestern American roots. While Prine's songs were often rooted in folk and country flavors, he was no stranger to rock & roll, R&B, and rockabilly, and he readily adapted his rough but expressive voice to his musical surroundings. His songs were recorded by a long list of well-respected artists, including Joan Baez, Johnny Cash, Bonnie Raitt, Kris Kristofferson, Carly Simon, George Strait, Norah Jones, John Denver, Miranda Lambert, The Everly Brothers, Bette Midler, Paul Westerberg, Tammy Wynette and Dwight Yoakam. John Prine’s Atlantic and Asylum albums are being released here in one 7-CD boxed set – John Prine (1971), Diamonds In The Rough (1972), Sweet Revenge (1973), Common Sense (1975), Bruised Orange (1978), Pink Cadillac (1979) and Storm Windows (1980) – that encompasses an essential and timeless American songbook.
Were I a professor of rock and roll music and one to grade albums, this record would stand as the finest record I've heard in my 50+ years of listening to this stuff. It's not my emotional favorite album (that being The Wild, The Innocent and the E Street Shuffle) but it's a record I listen to often, still. Each song stands on its merits and the lyrics are just brilliant; Lou was the smartest man who ever played rock and roll. It's not an easy listening album; like most of Lou's records there are some cuts that are painful to listen to, but some of the rock cuts are ear worms, most notably Dirty Boulevard which replaced Sweet Jane as Lou's signature live song. This album is like reading a really good book; the trip is a great one, and when it is done, you'll be thinking about it for a very long time.
Lola Versus Powerman And The Moneygoround, Part One is the eighth studio album by The Kinks, one of the most influential rock acts of all time, and was recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. This classic album appeared during a transitional period for the Kinks, and was a critical and commercial success. 50th anniversary Digipack CD release contains the original album new remaster from original HD master tapes plus alternate mono track versions and two new Ray Davies mixes. Features the hit singles Lola and Apeman. Produced in association with The Kinks, with audio and visual content curated by Ray Davies.