Time Warped

According to allmusic.com, Portraits takes a brief but eclectic tour through the material gathered so far on the New Albion label out of San Francisco. This is a versatile and rewarding collection of alternative, contemporary classical, 20th century new age, and minimalist ambience. Ingram Marshall's expansive and dark opener, "Fog Tropes," bellows canyons of sound with tuned fog horns, brass sextet, and other ambient sounds. The Japanese composer Somei Satoh drifts in next on a cloud of sweet melancholy, with "Birds in Warped Time II" from his album Litania. As the spell is lifted, Paul Dresher turns the mood on its ear with a call and response between oboe, clarinet, flute, and violin, which matures to include trombone, trumpet, and cello. "Channels Passing" rings closest to the 20th century works of composers like Reich and Rielly, with its subtly shifting staccatos giving way to clouds of tone yawning overhead. It's a richly realized piece of math and movement, and the somewhat unorthodox instrumentation creates the illusion of an entire orchestra, but an intimate one at that. Next comes "Rainbows, Pt. 1," a challenge for one piano and ten players – none of which are touching the keys. Stephen Scott's composition calls for the piano lid to be off and the strings to be bowed and plucked (the bowing sounds are magnificent). The piece works slightly better in theory than execution, making it a neat-sounding novelty rather than a breathtaker. Daniel Lentz lays down some wonderful textures in the next piece, "O-KE-WA," with shimmering bells almost out of earshot, swaying behind the heartbeat of a drum and skittering of sticks and rasps, all blanketed by elements that shift very slowly over the course of this 14-minute tone poem. This versatile collection ends with John Adams' cluster of synthesizer and horns, "Light Over Water, Pt. III," one that courts Philip Glass-like sequencing which gradually swell to include skyscrapers of brass. Mostly major-key, it's placed in the finale slot for a reason.

The all-new ProDRENALIN V2 is a dream come true for avid actioncam and aerial drone users and is the perfect tool for refining rough video footage with next-level corrections for warped, shaky & jittery video that is also in need of extensive image cleanup. ProDrenalin handles all that with ease and adds cool filter effects to the video, and new industry-standard palette of editing tools that make advanced clip editing a snap. Simply put, ProDRENALIN V2 can rescue unusable video and transform so-so video into an awesome movie.

The all-new ProDRENALIN V2 is a dream come true for avid actioncam and aerial drone users and is the perfect tool for refining rough video footage with next-level corrections for warped, shaky & jittery video that is also in need of extensive image cleanup. ProDrenalin handles all that with ease and adds cool filter effects to the video, and new industry-standard palette of editing tools that make advanced clip editing a snap. Simply put, ProDRENALIN V2 can rescue unusable video and transform so-so video into an awesome movie.

The all-new ProDRENALIN V2 is a dream come true for avid actioncam and aerial drone users and is the perfect tool for refining rough video footage with next-level corrections for warped, shaky & jittery video that is also in need of extensive image cleanup. ProDrenalin handles all that with ease and adds cool filter effects to the video, and new industry-standard palette of editing tools that make advanced clip editing a snap. Simply put, ProDRENALIN V2 can rescue unusable video and transform so-so video into an awesome movie.

The all-new ProDRENALIN V2 is a dream come true for avid actioncam and aerial drone users and is the perfect tool for refining rough video footage with next-level corrections for warped, shaky & jittery video that is also in need of extensive image cleanup. ProDrenalin handles all that with ease and adds cool filter effects to the video, and new industry-standard palette of editing tools that make advanced clip editing a snap. Simply put, ProDRENALIN V2 can rescue unusable video and transform so-so video into an awesome movie.

Genre-blending lo-fi plugin. Grainy melodics and warped textures for hip hop productions. Explore 150 customisable presets including synths, keys, guitars, and bass. Sounds enriched with vintage hardware and tape. Part of the Play Series: Hard-hitting presets and real-time control in an intuitive interface.

Organised to commemorate the 25th anniversary of the original Woodstock festival of 1969, Woodstock 94 (or Mudstock as it was later sometimes referred to) was promoted as '2 More Days of Peace and Music' The poster used to promote the first concert was revised to feature two birds perched on a guitar neck, instead of the original single bird design. The 1994 concert was scheduled for Saturday and Sunday, August 13 and 14, with a third day (Friday, August 12) added later. The weather was rainy that weekend, and by Saturday much of the field had turned into mud.

"Sketches of Brunswick East" is the eleventh studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. The title is a reference to the Melbourne suburb of Brunswick East and Miles Davis' 1960 LP "Sketches of Spain", which inspired the album's jazz-orientated sound. The album was generally well received by professional music critics upon its initial release.