Time Weekly September 2016

The Premier Pedal Publication. Tone Report is a publication for guitar players obsessed with great tone. Featuring the newest gear reviews, interviews with both musicians and builders, DIY articles, and the best tone-tips around. For guitarists everywhere- play till your fingers bleed.
Featuring: • Overdrive Ennui: 5 Dirt Pedals To Break Out of the Rut • Portrait of a Serial Axe Slinger: A Conversation with Mark Gemini Thwaite • Forgotten Artistry: 5 Relics from DigiTech’s Forgotten Artist Series • Perfect Harmony: Choosing the Right Speaker Cabinet • Reviews and more!

The Premier Pedal Publication. Tone Report is a publication for guitar players obsessed with great tone. Featuring the newest gear reviews, interviews with both musicians and builders, DIY articles, and the best tone-tips around. For guitarists everywhere- play till your fingers bleed.
Featuring: • Five Fuzz Pedals that "Do Metal" • Signal Chain 101: Going Back to School on Pedal Order • 5 Ultra-Powerful Amps that Fit on Your Board • Valve Vernacular: A Chinwag with Martin Kidd of Victory Amps • Reviews and More!

The Premier Pedal Publication. Tone Report is a publication for guitar players obsessed with great tone. Featuring the newest gear reviews, interviews with both musicians and builders, DIY articles, and the best tone-tips around. For guitarists everywhere- play till your fingers bleed.
Featuring: • Do Components Matter? A Case-By-Case Study • The Return of Real Boutique: A Chat with Fran Blanche of Frantone • Hero Worship: Six Sick Signature Axes • My First DIY Pedal Project: We’re Building a Bazz Fuss! • Reviews and more!

The Premier Pedal Publication. Tone Report is a publication for guitar players obsessed with great tone. Featuring the newest gear reviews, interviews with both musicians and builders, DIY articles, and the best tone-tips around. For guitarists everywhere- play till your fingers bleed.
Featuring: • Fight the Drummer and Win: 5 Small Combos that Crack the Mix • Are You In or Out: Getting the Most from Effects Loops • Build Your own Boss FA-1 FET Amplifier • The Right Tool for the Job: 6 Pedalboard Blueprints to Follow • Reviews and More!

The Premier Pedal Publication. Tone Report is a publication for guitar players obsessed with great tone. Featuring the newest gear reviews, interviews with both musicians and builders, DIY articles, and the best tone-tips around. For guitarists everywhere- play till your fingers bleed.
Featuring: • Double Jeopardy: 5 Ways to Double-Track Your Guitar • Choose Your Weapon: A Player’s Guide to Polyphonic Octave Boxes • Build Your Own Dan Armstrong Blue Clipper • 4 Combo Amp Volume Hacks You Need To Try Today • Reviews and More!

Having made an enormous contribution to the establishment of the Nashville Sound and the modernisation of country music, Anita Kerr felt the need to expand her artistic horizons and in 1965, made the move from Nashville to Hollywood. She wanted to work with different people, to get her own songs recorded, to play jazz, to conduct an orchestra, to take on more ambitious and more varied projects musically, and to form a vocal group which, rather than be confined to studio sessions, might also appear in club and concert settings. Her arrival on the West Coast was well timed. She had just fought off The Beatles to win a Grammy for the album We Dig Mancini and she was quickly able to assemble a stellar Anita Kerr Singers (B.J Baker: alto, Gene Merlino: tenor; Bob Tebow: bass, with Anita herself as soprano and soloist) and secure a contract more tailored to her needs with Warner Brothers. The result over the next two years, were these five superbly fashioned albums.

How did Miley Cyrus' "We Can't Stop" become a '50s-style doo wop number? Since when was Meghan Trainor's "All About That Bass" about an upright bass fiddle? At what point did Macklemore's "Thrift Shop" evolve into a '20s hot jazz tune? And whose idea was it to rework Lorde's "Royals" into a polished ballad sung by a sad clown? It's all part of the topsy-turvy world of Postmodern Jukebox, an ongoing musical project spearheaded by pianist and arranger Scott Bradlee, who takes contemporary pop and rock tunes and fashions new arrangements for them that cast them in an unpredictable variety of musical styles from the past.