A real rarity from Hyperion’s Anglo-Australian artistic collaboration: music by an Australian composer who was once at the heart of the English establishment. Malcolm Williamson was one of many Australian creative artists who relocated to Britain in the mid-twentieth century. Within a decade of settling in London he had established a reputation as one of the most gifted and prolific composers of his generation. His stature as a leading figure within the British music scene was publicly acknowledged in 1975 when he was appointed to the esteemed post of Master of the Queen’s Music in succession to Sir Arthur Bliss. But today he is almost forgotten and his music virtually never performed.
“This is harpist Şirin Pancaroğlu’s latest album which is based on the idea that it is possible to seize the variety one traditionally finds in a concert program within the frame of a single period…Pancaroğlu took up on the difficult task of transcribing from the baroque era for the harp…I listened and thought she is convincing: it does sound good.” Kutlu Özmakinacı, Hürriyet
The music of Saint-Preux is universal and timeless, combining classical,popular and contemporary musical trends, with worldsales of more than thirty millions records. A small village in France is the setting for his musical inspirations and developments. It is there that he composed his first piece for organ at the age of 6.
When it comes to old Italian vocal music, the Padua-born Italian choir "La Stagione Armonica" under the direction of Sergio Balestracci has repeatedly demonstrated its high musical level: "The sound they produce is extremely appealing in its firm expressiveness and in the way in which Balestracci's interpretive details somehow create a hint of simple but fervent piety, "wrote the press about his album on deutsche harmonia mundi with the responses that Alessandro Scarlatti composed for Holy Saturday.
This is the second and final disc in a cycle of Sergei Prokofiev’s piano concertos with pianist Olli Mustonen and the Finnish Radio Symphony Orchestra conducted by Hannu Lintu. Of the first volume, Gramophone wrote: 'How many times have I regretted a shortage of fantasy, flair and fairy-tale imagination in recordings of the Prokofiev piano concertos? Well, here is a disc that takes all those qualities to the top'.