With Youthanasia, Dave Mustaine began moving Megadeth away from its thrash roots, incorporating synthesizers into their sound and writing subtle, textured songs. Cryptic Writings continues this evolution, which unfortunately reads better than it plays. Megadeth doesn't quite have the skill or imagination to craft such ambitious material; they sound better playing thrash, which they only occasionally do on Cryptic Writings. Essentially, the band sounds tired and listless instead of reflective, especially since the production is so slick. It's admirable that the group is attempting to move forward, but the music simply doesn't resonate.
Megadeth's follow-up to the hit Countdown to Extinction lacks the focus of its predecessor, but Youthanasia makes up the difference with more accessible, radio-friendly production and tighter riffs. Unfortunately, they have abandoned some of the more experimental, progressive elements in their music, but those are hardly missed in the jackhammer riffs of tracks like "Train of Consequences."
True Obsessions is the fourth studio album by guitarist Marty Friedman, released on April 17, 1996 through Toshiba EMI (Japan) and October 8, 1996 through Shrapnel Records (United States). It was also the last to feature Nick Menza on drums. The fourth solo release from Megadeth guitarist Marty Friedman finds the guitarist mostly repeating the same formula that worked so well on Introduction.