Tokyo Strings

It is rare to find a disc as creatively programmed as this BIS release. Enhanced by lovely performances, played with great devotion to the memory of the recently-deceased Japanese master, the repertoire was chosen by conductor Tadaaki Otaka and producer Robert Suff, who organized it not only in the most effective succesion, but in a manner that illustrates the works’ individual meaning and illuminates Takemitsu’s career. All but one of the compositions are from Takemitsu’s late period. The other, the Requiem for Strings, is one of the earliest works to win him fame. Fantasma/Cantos II, for trombone and orchestra, is among the last Takemitsu compositions. Both it and the Requiem provide considerably more forward harmonic motion than the other four works, which are in Takemitsu’s typical “Japanese garden” meditative style, a kind of revival of French impressionism using harmonies that are more like Messiaen’s than Debussy’s.

The keyword "Italy" and "Contrabass" is the eighth album of UNAMAS Label at Ohga Hall by Mr. Mick Sawaguchi (Sawaguchi Masaki). Giovanni Bottechni's "Violin & Contrabass + Grand Duo Concertante by five string players", a masterpiece of Italian baroque contrabass, It is a truly ambitious program that Rossini's string sonata No. 1 major in the formation of two violin, one cello, one contra bass, and the masterpiece of director Spielberg "Schindler's list main theme" with a contrabass solo…

Performed by the Tokyo Metropolitan Symphony Orchestra and conducted by Yuzo Toyama with soprano Rie Hamada. A beautiful digital recording of several rarely performed works by Takemitsu (the soprano part of the marvelous "Coral Island" is very difficult, for example, and the "Archipelago S" is for an unusual ensemble of instruments). Many of the subtleties of Takemitsu's writing are lost in recording (for example, subtle harmonics behind more foreground material), but the engineers made a good effort here.

With the inevitable heat of summer already making itself at home, there’s few options so tempting as to roll down the windows and embrace the enthusiastic nostalgia of melodic rock brought by the uplifting graces of Tokyo Motor Fist and the vibrant charm of their latest album. “Lions” is so sweet and smooth that listening to it feels almost like a guilty indulgence, something that one would sneak a taste of alone in the kitchen by the blue light of an open fridge. There’s something raw and authentic about it that makes it instantly irresistible for fans of melodic hard rock at any point from the 80s to the present. Tokyo Motor Fist have captured the most decadent tones of melodic rock and are releasing a bright ray of sonic sunshine in a world that certainly needs that pure brand of brightness…