Though Les Rallizes Denudes, also known as Hadaka no Rallizes, were one of the earliest and most revolutionary Japanese psychedelic rock bands, and have existed off and on through four decades, they are also one of the most obscure, barely known even in their native country. This cult of noise terrorists shrouded themselves in mystery, seldom touring and releasing very few records, usually with no discernible label. Their sound presages the later psychedelic experimental noise of Fushitsusha, High Rise, and others in the current crop more than any other Japanese psychedelic group from the late '60s…
For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan.
British rock/pop group, formed in Liverpool, England during the late 1950s. Signed to recording contract with EMI in 1962. The lineup (1962-70) comprised John Lennon (vocals, guitar, harmonica, keyboards), Paul McCartney (vocals, bass, guitar, keyboards, percussion), George Harrison (guitar, vocals, sitar), and Ringo Starr (drums, vocals, percussion). During 1961, Stu Sutcliffe (bass) and Pete Best (drums) were also members…
"Gemeaux" (1971-1986) is one of Takemitsu's grandest works in terms of musical arc, scoring and length of gestation. It is written for two orchestras with two conductors, and with solo trombone at one orchestra and solo oboe at the other. As half of it was written during Takemitsu's "modernist apogee" of the turn of the '70s, we find a host of extended techniques, and at one point the soloists even speak through the mouthpieces of their instruments. As the other half of the work belongs to Takemitsu's late period, we find a successful of elegant self-contained gestures, his musical "gardens". The synthesis of two creative periods, however, makes for a piece singular in its impact in Takemitsu's oeuvre.
Queen is a British rock band formed in London in 1971. The band has released a total of 18 number one albums, 18 number one singles and 10 number one DVDs, and have sold over 300 million albums worldwide, making them one of the world's best-selling music artists…