Tom Wilson

Recorded in three short days in January 1965, Bringing It All Back Home found Dylan “going electric” and gaining his first Top 40 airplay with “Subterranean Homesick Blues.” Sundazed proudly presents Bringing It All Back Home in an exact reproduction on High-Definition Vinyl, featuring the album’s original mono mix–unavailable for over 30 years!–and, as is Sundazed customary, all-analog mastering.

Vancouver guitarist David Gogo is oozing confidence on this blues-rock album, beginning with the barroom pleasing "Love in the City" with former Junkhouse lead singer Tom Wilson, who is also a member of Blackie and the Rodeo Kings. The piano only adds to its luster. Gogo isn't reinventing anything here, just good time, old-school, feel-good rock & roll accentuated by his great guitar playing. He can rumble as well judging by the slower and moody "Hit Me From Above," sounding a bit like Doyle Bramhall II or some other Austin blues-rock musician. A slower, soulful "300 Pound Shoes" takes the album down in tone but Gogo goes for broke here, pulling the song off with relative ease. "Hey Juanita" doesn't seem that strong and is rather ordinary in a roots rock type of vein like Mike Plume or Steve Earle. The piano driven "I'd Do Anything" shows a softer, bluesy vein that sounds like a long distant cousin of "Ride On" by AC/DC complete with horns. The funky "Silk and Stone" is a sleeper pick in line with the likes of Bonnie Raitt or Delbert McClinton.

Wednesday Morning, 3 AM doesn't resemble any other Simon & Garfunkel album, mostly because their sound here was fundamentally different from that of the chart-topping duo that emerged a year later. Their first record together since their days as the teen harmony duo Tom & Jerry, the album was cut in March 1964, at a time when both Simon and Garfunkel were under the spell of folk music…