With a history tracing back to the epicentre of melodic death metal in Sweden, October Tide have come a long way and have generated a spark that is strongly felt in the energy of the scene. "In Splendor Below" is the latest addition to their vibrant discography of guitar-driven, emotive death/doom metal art. It packs some of the most authentic and unique compositions from the capable hands of founding member and long-time Katatonia guitarist, Fredrik Norrman, his brother and guitarist Mattias Norrman (ex-Katatonia), vocalist Alexander Högbom (Demonical), bassist Johan Jönsegård (Letters From The Colony) and drummer Jonas Sköld (Letters From The Colony / Thenighttimeproject). While Fredrik prefers for the music to speak for itself, he finds the new album "a bit more aggressive, a bit more death metal, and with an overall colder feeling than previous records".
With a history tracing back to the epicentre of melodic death metal in Sweden, October Tide have come a long way and have generated a spark that is strongly felt in the energy of the scene. "In Splendor Below" is the latest addition to their vibrant discography of guitar-driven, emotive death/doom metal art. It packs some of the most authentic and unique compositions from the capable hands of founding member and long-time Katatonia guitarist, Fredrik Norrman, his brother and guitarist Mattias Norrman (ex-Katatonia), vocalist Alexander Högbom (Demonical), bassist Johan Jönsegård (Letters From The Colony) and drummer Jonas Sköld (Letters From The Colony / Thenighttimeproject). While Fredrik prefers for the music to speak for itself, he finds the new album "a bit more aggressive, a bit more death metal, and with an overall colder feeling than previous records".
After addressing its national audience with the Kalevala project, the Finnish magazine Colossus turns towards Sweden, a bordering country, with Rökstenen. The recipe is already well-known: take a bunch of talented present outfits, lend them the repertoire of the greatest Swedish artists of Progressive rock of the Seventies (Kaipa, Blakkula, Dice, Atlas, Made In Sweden, Bo Hansson, Trettioriga Kriget, Samla Mammas Manna, Ragnarok…), add thick layers of vintage sounds, a touch of inspiration, mix around… This triple-CD collects the performances of The Samurai of Prog, Simon Says, Beardfish, Anima Morte, Echoes, Soniq Circus, Vanilla Project, Daal, Jerry Johansson and other bands.
Swedish folk metal wolf pack MÅNEGARM take another stroll through ancient sagas and myths of long forgotten times on the successor of chart-breaking Fornaldarsagor (2019) – the upcoming 10th studio album Ynglingaättens Öde (Engl. the fate of the Ynglinga kin) – out April 15, 2022 via Napalm Records. In this multifaceted world of sound, MÅNEGARM incorporate Pagan inspired lyricism based on the old Norse poem Ynglingatal, that describes the fate of an old Norse dynasty - the house of Ynglinga. Ynglingaättens Öde offers balanced variety and atmosphere, breathing new life into ancient myths. With Ynglingaättens Öde, MÅNEGARM underline their standing as spearheads of the world of Viking metal once more and keep Pagan traditions alive, even after 25 years of existence.
What a strange, wondrous work this is! Dealing almost exclusively with emotions–paternal, filial, and romantic love, sacrifice, jealousy, hatred, spite–there is very little “action” per se. But in Handel’s Tamerlano we are smack in the middle of these people’s hearts and it’s more suspenseful and moving than operas with battles, great political themes, wind machines, and exotic dancers. In short, absolute ruler Tamerlano has conquered and taken the Turkish Emperor Bajazet captive. Despite his engagement to Irene, Tamerlano loves Bajazet’s daughter Asteria; Andronicus, his Greek ally, loves her too and Asteria returns Andronicus’ love. Although it appears as if Asteria also has accepted Tamerlano’s love (to the horror of Bajazet, Andronicus, and Irene), in fact she plans to kill him. She and her father are condemned to death when her plot is discovered, but Bajazet commits suicide and in a last minute change of heart, Tamerlano allows Andronicus and Asteria to wed, while he takes Irene as bride.
This concerto for orchestra in seven parts, is a beautifully crafted work incorporating Eastern European folk and Jewish melodies. While the subject matter is clearly about the Jews and their suffering up to and including the end of World War 2, the music and melodic themes avoid portrayal of the Nazis.