Touch

Touch and Flee is the new recording from Neil Cowley Trio, and marks a defining moment in the evolution of the band. It is their most daring album to date, spotlighting the ever- increasing brilliance of Cowley as a composer.

In her attempt to find the words that touch, the author gives a succession of illuminating examples to indicate what a psychoanalyst and her patient may experience in the transference relationship during the course of an analysis. On the basis of her clinical experience, the author points out that we all use relatively mature psychic mechanisms and others of a more primitive nature, the former being accessible to symbolism and the latter less so.

Paul Charles Smith is a Contemporary Christian Music performer and songwriter. He is best remembered for his early years with influential gospel group The Imperials. Smith spent four years with that group, recording four albums and one live video. Smith was inducted into the Gospel Music Association's Gospel Music Hall of Fame as a member of The Imperials. He has recorded five solo albums and is an award-winning songwriter.

You're always going to end up in the friend zone and miss out on true intimacy with women unless you discover this one simple thing…

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives.

At Action Park is the album by Shellac and this came out in 1994. What also came out in 1994? It doesn't matter but this was released by Touch And Go.

Terraform is the 1998 album by Shellac. This was released by the Touch And Go corporation.

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives.

This fourth solo release from Diana Ross became her biggest post-Supremes album to that point and remains among her three most successful records, peaking at number five in the US and number seven in the UK. Sales of the album were propelled by the title track, Ross's second American number one single.