Marin Marais (1656-1728)est ajourd'hui célèbre grâce au fabuleux corpus de pièces pour violes de gambe qu'il nous a laissé et qui ont été remises à l'honneur avec le célèbre film "Tous les matins du monde" et les disques de Jordi Savall Mais Marais a aussi écrit 4 opéras dont Alcione, le meilleur d'entre eux.
Avant son enregistrement, celui-ci avait la réputation d'être digne des chefs-d'oeuvre de Lully et annonciateur des splendeurs ramistes, mais pour certains figé dans les règles passéistes du grand style français et refusant malencontreusement les harmonies italianisantes chères à Campra et Charpentier.
The popularity of the film Tous les matins du monde (All the Mornings of the World) has revived the fortunes of the shadowy composer named Sainte-Colombe, who was active in the late seventeenth century. The film was largely fictitious, but subsequent research, much of it nicely summarized in the notes to this disc, has shed light on who Sainte-Colombe might have been, and has shown that the filmmakers, and the novelist (Pascal Quignard) who wrote the novel on which Tous les matins du monde was based, made some good guesses about him.
The popularity of the film Tous les matins du monde (All the Mornings of the World) has revived the fortunes of a shadowy composer named Sainte-Colombe, who was active in the late seventeenth century. The film was largely fictitious, but subsequent research, much of it nicely summarized in the notes to this disc, has shed light on who Sainte-Colombe might have been and has actually backed up some of the guesses made by filmmakers and by novelist Pascal Quignard, on whose book Tous les matins du monde was based.
With this first volume, Les Voix Humaines members Margaret Little and Susie Napper embark on a very ambitious cycle to record all of Sainte Colombe the Elder's 67 "Concerts a deux violes esgales" (concerts for two bass viols). On evidence of the first 18 offered here, the interpretations are consistently quicker and noticeably sunnier compared to the few other recordings of several of these pieces.
Jordi Savall is an exceptional figure in today’s music world. For more than thirty years he has been devoted to the rediscovery of neglected musical treasures: thirty years of research, study and interpretation, both as violist and musical director. He has restored an essential repertoire to all those with ears to hear it. Beyond the happy few who already revered the instrument, he has created a wide audience for the viola da gamba, an instrument so refined that it takes us to the very brink of silence.
French composer Marin Marais (1656-1728) was remarkably prolific, writing nearly 600 compositions for viola da gamba, as well as many operas. One of his major collections of music for the gamba is Suitte d'un Gôut Etranger, a collection of 33 short works written, according to the composer, "to stretch the skill of those who do not like easy pieces." Jordi Savall, the most acclaimed gamba player of the late twentieth and early twenty first centuries, who is responsible for bringing many of Marais' works to light, plays with extraordinary virtuosity and expressiveness.
Odéric Delachenal a vécu en Haïti de 2008 à 2010. Il travaille pour la délégation catholique pour la coopération. Le 12 janvier 2010, à 16:53:10, il vit le grand séisme de Port-au-Prince. Cet après-midi-là, la capitale s’effondre avec lui. Alors, sans relâche, le jeune éducateur erre dans des décombres de fin du monde. Protéger, rassembler les enfants épars pour les mettre à l’abri. Courir la ville écrasée, en quête des siens. Soigner, secourir, fouiller les gravats, tirer des bâches sur les parkings-dortoirs. Il arpente la ville exsangue, à la recherche de ses amis, des enfants qu’il est « censé » protéger. …