Tracks+bruce

As measured by cultural impact and mass popularity, Bruce Springsteen’s 1984-85 World Tour was the apex. Considering its stunning scale, playing multi-night stadium stands, it’s easy to forget that 1984 was a rebirth of sorts, the start of a new era as much as a continuation of what came before it. On the biggest tour of his career, Springsteen was rebuilding the engine while the plane was flying.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

The December 13, 1992 Boston Garden show came in the midst of the Bruce Springsteen 1992–1993 World Tour, which saw The Boss hitting the road for the first time without the E Street Band (save for keyboardist Roy Bittan). Bruce had dissolved the band in 1989 and recorded the 1992 companion albums Human Touch and Lucky Town, of which the tour was in support, without his famed backing group.

As measured by cultural impact and mass popularity, Bruce Springsteen’s 1984-85 World Tour was the apex. Considering its stunning scale, playing multi-night stadium stands, it’s easy to forget that 1984 was a rebirth of sorts, the start of a new era as much as a continuation of what came before it. On the biggest tour of his career, Springsteen was rebuilding the engine while the plane was flying.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector where he sang like Roy Orbison, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s,

Recorded live at Madison Square Garden, November 7, 2009.

Recorded on four-track cassette in his New Jersey bedroom, "Nebraska" has proved one of Springsteen’s most enduring works, a raw, haunted acoustic record populated by lost souls searching not for salvation through music but simply a reason to believe. His sixth record, Springsteen appeared by himself without the E Street Band backing him up. He later recording with the band, but ultimately chose to put out the demos for a more natural sound.

Propelled by the release of Born To Run, the latter months of 1975 saw Bruce Springsteen emerge as a superstar. This 4-disc set commemorates his legendary stands at the Bottom Line and Roxy clubs, which cemented his reputation as the most articulate and exciting songwriter and performer of his generation. Originally broadcast on WNEW-FM, they re presented here with background notes and rare images. Discs 1 and 2 capture the Live At The Bottom Line, August 15th 1975 set. Discs 3 and 4 capture the Live At The Roxy Theater, October 17th 1975 set.

Bruce Springsteen released a live archival recording of an E Street Band concert from C.W. Post College in Greenvale, New York on December 12, 1975.