A selection of 5 classic studio albums packaged together in a new slim line slipcase by the critically acclaimed progressive folk-rock group Traffic, whose members include Steve Winwood and Jim Capaldi. Includes the albums Mr. Fantasy, Traffic, John Barleycorn Must Die, The Low Spark Of High Heeled Boys, and Shoot Out At The Fantasy Factory.
The Last Great Traffic Jam is a live album and DVD from the English rock band Traffic. The album was recorded on the 1994 reunion tour supporting Far from Home…
After dispensing with his services in December 1967, the remaining members of Traffic reinstated Dave Mason in the group in the spring of 1968 as they struggled to write enough material for their impending second album. The result was a disc evenly divided between Mason's catchy folk-rock compositions and Steve Winwood's compelling rock jams…
The first anthology from one of the most important South American bands of the 60's. These are the best recordings the band made from 1968 to 1971 for legendary labels Sono Radio and Mag. On Yellow Sea Years, the evolution of the band can be fully appreciated, with their roots in the acid blues-rock of Jimi, Cream or the Yardbirds, to a solid Latin-rock sound with psychedelic touches and immensely inspired folk.
The Low Spark of High Heeled Boys marked the commercial and artistic apex of the second coming of Traffic, which had commenced in 1970 with John Barleycorn Must Die. The trio that made that album had been augmented by three others (Ric Grech, Jim Gordon, and "Reebop" Kwaku Baah) in the interim, though apparently the Low Spark sessions featured varying combinations of these musicians, plus some guests…
At only 22 years old, Steve Winwood sat down in early 1970 to fulfill a contractual commitment by making his first solo album, on which he intended to play all the instruments himself. The record got as far as one backing track produced by Guy Stevens, "Stranger to Himself," before Winwood called his erstwhile partner from Traffic, Jim Capaldi, in to help out. The two completed a second track, "Every Mother's Son," then, with Winwood and Island Records chief Chris Blackwell moving to the production chores, brought in a third Traffic member, Chris Wood, to work on the sessions. Thus, Traffic, dead and buried for more than a year, was reborn…