Traffic Sound

A popular Peruvian rock group in the late 1960s and early 1970s, Traffic Sound had a very British-influenced early progressive rock sound along the lines of Traffic and (more distantly) Jethro Tull. These similarities were evident in the band's use of flute and saxes, all played by Jean Pierre Magnet, who could also play vibes and percussion. What is surprising is that Traffic Sound, unlike other South American groups of the period that only came to light in the Northern Hemisphere in the 1990s, do not sound exotic or primitive. They simply sound like an accomplished minor-league 1970 rock band with considerable progressive, psychedelic, and soul influences informing their original material.

Traffic Sound - Traffic Sound (1970) {Repsychled Records CD1005 rel 2009}
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© 1970, 2009 MaG / Repsychled Records | CD 1005
Rock / Psychedelic Rock / Progressive Rock / Acid Rock

Peru's six-man psych-pop outfit Traffic Sound came up during a turbulent period for the South American country, the tentacles of the global counter-cultural and social revolutions that defined the 1960s affecting almost every facet of life in the mountainous province. Recorded in 1968, 'Traffic Sound' - or 'III' as it is sometimes to referred to - sports a kaleidoscopic brew of influences and styles, blending fuzzy rainy-day psychedelia, lysergic acid-rock and droplets of ethnic percussion into a richly-coloured album that proves more than a match for the era's better known American-and-English groups.

Traffic Sound - Virgin (1969) {Repsychled Records CD1004 rel 2009}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 77 Mb
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© 1969, 2009 MaG / Repsychled Records | CD 1004
Rock / Psychedelic Rock / Progressive Rock / Acid Rock

Formed in 1968 by members of bands from Lima, Peru, such Los Hang Ten's and Los Mad's and other musicians, Traffic Sound started as a covers band playing songs by The Doors, Cream and Jimi Hendrix. Their influences came from England and the U.S., and apart from some bossa nova played at rehearsals, Latin music didn't feature in their repertoire. However, their origin and background could still be heard in their sound, something which they embraced even more after Santana's success. Their first LP with self-written songs, Virgin (1969), is a masterpiece of Latin rock.

The first anthology from one of the most important South American bands of the 60's. These are the best recordings the band made from 1968 to 1971 for legendary labels Sono Radio and Mag. On Yellow Sea Years, the evolution of the band can be fully appreciated, with their roots in the acid blues-rock of Jimi, Cream or the Yardbirds, to a solid Latin-rock sound with psychedelic touches and immensely inspired folk.

Gold is the best representation of the best of Traffic out there. It has everything you could ever want from Traffic. I mean really this covers their whole carear. From 'Dear Mr. Fantasy' to 'The Low Spark Of High Heeled Boys.'…

Traffic - 10 Album Collection (1967-1974) {2008 10CD Set SHM-CD Universal Japan Mini LP Remaster UICY-93640~49}
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© 1967-74, 2008 Island / Universal Music Japan | UICY-93640~49 | SHM-CD | Mini LP
Rock / Art Rock / Prog Rock / Psychedelic Rock

Cardboard sleeve (mini LP) reissue from Traffic featuring the high-fidelity SHM-CD format (fully compatible with standard CD players). Part of a ten-album Traffic SHM-CD Cardboard sleeve (mini LP) reissue series featuring the albums "Mr. Fantasy," "Heaven is in Your Mind," "Traffic," "Last Exit," "John Barleycorn Must Die," "Welcome To The Canteen," "THe Low Spark of High Heeled Boys," "Shoot Out at the Fantasy Factory," "On The Road," and "When The Eagle Flies." Since Traffic's debut album, Mr. Fantasy, has been issued in different configurations over the years, a history of those differences is in order. In 1967, the British record industry considered albums and singles separate entities; thus, Mr. Fantasy did not contain the group's three previous Top Ten U.K. hits. Just as the album was being released in the U.K., Traffic split from Dave Mason.

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