There's beauty aplenty in Parnassus' playing… MDG's recording, by placing the piano (which sounds wonderful throughout) slightly back in the acoustic, achieves a believable and wholly satisfying instrumental balance.
Concord Music Group releases three new titles in its Original Jazz Classics Remasters series. Enhanced with 24-bit remastering by Joe Tarantino, bonus tracks on each release (some previously unissued), and new liner notes to provide historical context to the originally released material, the series showcases pivotal recordings of the past several decades by artists whose influence on the jazz tradition continues to reverberate among jazz musicians and audiences well into the 21st Century.
London Baroque offers another installment in its ongoing European Trio Sonata series, this time devoted to 18th-century Italy; as with the ensemble’s previous efforts the program features generally excellent performances of lesser-known repertoire. Ten years ago I reviewed a similar 18th-century Italian program by this same group titled “Stravaganze Napoletane”, also on BIS, and was generally impressed with the performances–except for one piece: Domenico Gallo’s Sonata No. 1 in G major.
This release contains McCoy Tyner’s first two albums as a leader, Inception (Impulse AS-18) and Reaching Fourth (Impulse AS-33) in their entirety. Both LPs present the pianist in a trio format backed by such expert musicians as bassists Art Davis and Henry Grimes, and drummers Elvin Jones and Roy Haynes. McCoy's lush, rippling piano helped make masterpieces out of several 1960-65 John Coltrane albums. During that time, he established himself as a leader with his magnificent Impulse! LPs Inception ('62) and Reaching Fourth ('63); his trio dazzles on the two Tyner-penned title tracks plus Theme for Ernie; Old Devil Moon; Blues for Gwen; Sunset; Effendi , and more!
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
"The trio was founded in 2017 by violinist Marina Yakovleva, her fellow-violinist and brother Mikhail Yakovlev and cellist Lev Sivkov. They chose the name “Trio Amani” in honour of the Russian composer Nikolay Amani (1872-1904), whose string trio they discovered in 2018 and premiered that year in Zurich. After a highly successful concert series, Marina, Mikhail and Lev invited violist Vahagn Aristakesyan to join them on the present recording of chamber music for strings in various scorings from Russia and Switzerland. The trio presented this programme in 2019 in a series of concerts in the composers’ homelands. The repertoire of Trio Amani comprises a wide variety of compositions for various formations, from duo to piano quintet.
Since moving to the United States from her native Japan in 1995, Eri Yamamoto has established herself as one of jazz's most original and compelling pianists and composers in crossing contemporary, progressive, and modern creative subgenres. The root of her sound is a highly personal lyricism that expresses itself most poignantly in improvisation.
An acclaimed French pianist known for his jazz interpretations of classical works, Jacques Loussier rose to prominence leading his trio in the 1960s. A gifted classical musician in his youth, Loussier gravitated toward jazz and issued a series of innovative, genre-bending albums under the Play Bach title in which he reworked the music of Johanne Sebastian Bach.