Tristan Isolde Wagner

Richard Wagner - Tristan & Isolde
Rundfunk-Sinfonieorchester Berlin / Rundfunkchor Berlin / Marek Janowski
3x SACD | EAC+LOG+CUE | FLAC: 934 MB | Full Artwork: 890 MB | 5% Recovery Info
Label/Cat#: Pentatone # PTC 5186 404 | Country/Year: Netherlands 2012
Genre: Classical | Style: Opera, Romantic

"…Thanks to Marek Janowski's inspiring direction, the singers' commitment and the peerless sound quality, this recording sets a new benchmark for Tristan und Isolde in the 21st century and undoubtedly it is one that all Wagnerites will wish to investigate. Unreservedly and enthusiastically recommended." ~SA-CD.net

Richard Wagner - Tristan & Isolde
Rundfunk-Sinfonieorchester Berlin / Rundfunkchor Berlin / Marek Janowski
3x SACD | EAC+LOG+CUE | FLAC: 934 MB | Full Artwork: 890 MB | 5% Recovery Info
Label/Cat#: Pentatone # PTC 5186 404 | Country/Year: Netherlands 2012
Genre: Classical | Style: Opera, Romantic

"…Thanks to Marek Janowski's inspiring direction, the singers' commitment and the peerless sound quality, this recording sets a new benchmark for Tristan und Isolde in the 21st century and undoubtedly it is one that all Wagnerites will wish to investigate. Unreservedly and enthusiastically recommended." ~SA-CD.net

This new recording from the Staatskapelle Weimar under Hansjorg Albrecht presents a rarely heard compilation of Richard Wagner’s themes from Tristan und Isolde, arranged for orchestra by Henk de Vlieger (b. 1953). This is Hansjorg Albrecht's follow-up Wagner recording to his album Der Ring Ohne Worte (OC1872). The Staatkapelle Weimar dates back to 1491, making it one of the oldest orchestras in the world, and one that is more than familiar with the works of Richard Wagner.

Wagner at The Met is the first authorized release of Richard Wagner's operatic masterpieces, including the complete Ring Cycle, captured live in historic broadcasts from The Metropolitan Opera.

Although this is a re-issue, and not a re-mastering, everyone with any interest in Wagner, and Tristan and Isolde, simply must have this wonderful set. To be fair, it's really all about Linda Esther Gray, and the outstanding WNO under Goodall. The WNO are brilliant here, and sympathetically recorded by the Decca engineers. You'll hear subtleties in the playing that are lost in other versions, and you can forget about Goodall's supposed ultra-slow tempi, for here he's surely perfect. (The Prelude is actually over a minute faster than Karajan.) But it's Goodall's handling of key moments that is so seductive - and thrilling.