Trower Jones Dryden

Robin Trower's first rock, as opposed to blues, studio album in five years, returns the guitarist to the fluid, Hendrix-infused trio sound of his salad days. While the songwriting isn't quite up to the quality of his '70s work, Trower's snaky, echoed, languid guitar and his powerful duo's sympathetic backing make this a welcome addition to his extensive catalog. While the smooth, soulful whisky-soaked vocals of original singer Jimmy Dewer are sorely missed (Trower, who handles some of the singing here is at best adequate), the songs still shimmer with the uniquely silvery quality fans have come to expect from the guitarist.

Guitarist Robin Trower's watershed sophomore solo disc remains his most stunning, representative, and consistent collection of tunes. Mixing obvious Hendrix influences with blues and psychedelia, then adding the immensely soulful vocals of James Dewar, Trower pushed the often limited boundaries of the power trio concept into refreshing new waters. The concept gels best in the first track, "Day of the Eagle," where the opening riff rockingly morphs into the dreamy washes of gooey guitar chords that characterize the album's distinctive title track that follows.
At his best, Trower's gauzy sheets of oozing, wistful sound and subtle use of wah-wah combine with Dewar's whisky-soaked soul-drenched vocals to take a song like the wistful ballad "In This Place" into orbit…

British guitarist Robin Trower re-enters the fray with a solid, electric, British blues record. Another Days Blues features longtime drummer Reg Isidore, vocalist Davey Pattison (who sounds an awful lot like the late James Dewar), organist Nicky Brown, and bassist Dave Bronze, as well as a couple of ringers like keyboardist/bassist Paul Page, drummer Pete Thompson, and vocalist Hazel Fernandez…

Robin Trower's peak commercial period occurred during the mid-'70s, when the bluesy guitarist specialized in a style that relied heavily on the power of the almighty riff (as evidenced by just about any selection from his best known release, 1974's Bridge of Sighs). But on his 1997 offering, Someday Blues, Trower tries a different approach, as he cuts back on the Jimi Hendrix-esque riffing, and focuses more on Albert King-style licks, and letting Hammond organ fill in much of the open spaces. This approach is best sampled on "Feels So Bad" (which features some great vocalizing by Trower – who handles all singing on the album as well) and the slow-burning title track. And for fans of a classic, searing Fender Strat tone, the album-closing "Sweet Little Angel" is a must-hear. While there's nothing here that matches the six-string pyrotechnics of, say, "Day of the Eagle," Trower still proves to be a major blues-rock force on Someday Blues. It's just that now Trower puts an added emphasis on the "blues" rather than the "rock."

United State Of Mind is a fantastic new album which brings together three very different UK music legends: Robin Trower, Maxi Priest and Livingstone Brown. Three artists with distinctive, trademark sounds and styles that dovetail and fuse to-gether, creating an excellent whole that's full of atmosphere, allure and a whole lotta soul. USM combines Marvin, R & B, Jimi tones and subtly funky blues to excellent effect' CLASSIC ROCK 'Soul drenched excellence' GET READY TO ROCK 'Elegant and soulful, yet gritty and danceable when called for, United State Of Mind is a collaboration built on mutual love and respect ' the heartfelt lyrics, the stunning call and response between Maxi's vocals and Robin's guitar, not to mention the additional flourishes brought to the table by Livingston Brown all serve to make this an absolute joy. Put simply, United State Of Mind is an inspirational offering.

Robin Trower's debut solo album was the first evidence that the Fender Stratocaster sound of Jimi Hendrix could be effectively replicated and even refabricated. And like Hendrix, Trower had paid his dues as a more-or-less backup musician, his former band Procol Harum having emphasized stately organ and piano rather than guitar. After leaving his old group, Trower experimented with different musicians and ideas for several years, which paid off when he finally released Twice Removed From Yesterday, a record that displayed the characteristics that would make him a guitar hero and stadium attraction of the mid-'70s.

It’s rare to find a ’60s legend still on trailblazing form in their eighth decade. The 73-year-old guitarist finds himself in a golden late-bloom of creativity. In recent years, his solo output has been championed by both press and public, with the impact of 2014’s ‘Something’s About To Change’, 2016’s ‘Where You Are Going To’ and 2017’s ‘Time & Emotion’ setting up some of his best-attended US dates since he conquered that continent with ‘Bridge Of Sighs’ in the mid-’70s.

Two legends, one hour of fearsome axe-wielding! They do virtually the entire Seven Moons album plus signature tunes from Bruce's famous catalog, all filmed at the majestic Concertgebouw De Vereeniging in the Netherlands in 5.1 Surround Sound. Tracks include Lives Of Clay; Perfect Place; White Room; Politician and more!