In The Genius of Michelangelo, internationally recognized Michelangelo expert and award-winning Professor of Art History William E. Wallace gives you a comprehensive perspective on one of history's greatest artists, unavailable in any other course. Drawing on a vast command of artistic knowledge and period detail, these 36 intellectually rewarding and visually dazzling lectures explore the relationship between truth and legend to reveal a groundbreaking new picture of Michelangelo as an artist, a businessman, an aristocrat, and a genius.
Drawing is one of humanity’s oldest forms of expression, with existing examples dating back an astonishing 80,000 years or more. Older than written language by tens of thousands of years, drawing developed across millennia, forming the base of many of the world’s artistic traditions.
Of all the world's great art museums, the National Gallery, London is the only place where you can truly grasp the breathtaking scope of European painting between 1200 and 1900.
Established in 1824, the National Gallery was commissioned as the people's museum—a cultural institution meant to reflect the artistic legacy both of Great Britain and of the European continent. Inside its halls are more than 2,500 European paintings by some of Western civilization's greatest masters, including Titian, Rubens, and Rembrandt.
Five hundred years ago, Spanish conquistadors searching for gold and new lands to settle stumbled on a group of independent city-states in Mesoamerica, a region extending for more than a thousand miles from the desert of northern Mexico to the rain forest of Central America. Sophisticated beyond the Spaniards’ wildest imaginings, these people were the Aztecs, the Maya, and related cultures that shared common traditions of religion, government, social organization, the arts, agriculture, engineering, and trade.