War Child was Jethro Tull's first album after two chart-toppers, Thick as a Brick and A Passion Play, and was one of those records that was a hit the day it was announced (it was certified platinum based on pre-orders, the last Tull album to earn platinum record status). It never made the impression of its predecessors, however, as it was a return to standard-length songs following two epic-length pieces. It was inevitable that the material would lack power, if only because the opportunity for development that gave Thick as a Brick and A Passion Play some of their power. Additionally, the music was no longer quite able to cover for the obscurity of Tull's lyrics ("Two Fingers" being the best example). The title track is reasonably successful, but "Queen and Country" seems repetitive and pointless…
Where the first Jethro Tull box five years earlier, 20 Years of Jethro Tull, mostly traded on radio broadcast performances and rarities, a few outtakes, and a remastered collection of key songs, 25th Anniversary Boxed Set benefits from a more thorough raid on the vaults that has yielded up one essential addition to any Jethro Tull collection. Disc two is the centerpiece of the set, containing an additional hour of the group's November 4, 1970 concert at Carnegie Hall in New York (two pieces were previously issued on Living in the Past). Preserved on a 16-track master tape, this benefit show for the drug rehabilitation program Phoenix House was the group's most prominent American gig up to that time…
Like so many risk takers, Jethro Tull have had their share of both admirers and detractors over the years. To their admirers, Ian Anderson and his colleagues did a lot to expand rock's boundaries; to their detractors, they epitomized progressive rock's excesses (especially during the '70s) and were a prime example of why the punk movement was needed. It's no secret that Tull – like Yes, Pink Floyd, Genesis, and Emerson, Lake & Palmer – were influenced by European classical music (as well as British folk, Celtic music, blues, and jazz).
Jethro Tull’s 1970 classic Benefit will be celebrated in a brand-new 4CD/2DVD set, featuring remixes by Steven Wilson, an abundance of previously unreleased material, packaged within a deluxe hardback book, containing 100 pages of commentary from numerous contributors alongside hordes of images of the band creating and performing their first million-selling album. Benefit (The 50th Anniversary Enhanced Edition) will be out on 5th November. Following the successes This Was (1968) and Stand Up (1969), Jethro Tull returned in 1970 with their third studio album in as many years. Benefit (The 50th Anniversary Enhanced Edition) contains a copious amount of expanded material, building upon the 2013 Steven Wilson remixes. CD3 contains a previously unreleased Steven Wilson remix of Jethro Tull performing at Tanglewood in 1970. Further to that, CD4 contains a newly remastered version of a concert at The Aragon Ballroom in 1970 in mono.
J-Tull Dot Com is the name of the 20th studio album by the band Jethro Tull. J-Tull Dot Com was released four years after their 1995 album Roots to Branches and continues in the same vein, marrying hard-rock and art-rock with Eastern music influences.
Jethro Tull are a British rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock, the band developed its sound to incorporate elements of hard rock to forge a progressive rock signature. The band is led by vocalist/flautist/guitarist Ian Anderson, and featured a revolving door of lineups through the years including significant members such as longtime guitarist Martin Barre, keyboardist John Evan, drummers Clive Bunker, Barriemore Barlow, and Doane Perry, and bassists Glenn Cornick, Jeffrey Hammond, and Dave Pegg….
Tull's first recording is celebrated with a wonderful new 2 CD collection featuring the remastered stereo mix, various BBC live recordings, rare singles, liner notes from every band member, and for the first time ever a remastered release of the original mono tapes…
War Child was Jethro Tull's first album after two chart-toppers, Thick as a Brick and A Passion Play, and was one of those records that was a hit the day it was announced (it was certified platinum based on pre-orders, the last Tull album to earn platinum record status). It never made the impression of its predecessors, however, as it was a return to standard-length songs following two epic-length pieces. It was inevitable that the material would lack power, if only because the opportunity for development that gave Thick as a Brick and A Passion Play some of their power. Additionally, the music was no longer quite able to cover for the obscurity of Tull's lyrics ("Two Fingers" being the best example). The title track is reasonably successful, but "Queen and Country" seems repetitive and pointless…