Turandot

The DVD version of Turandot is based on an outstanding MET production from 1988: “A straightforward, spectacular and star-cast staging by Franco Zeffirelli that comes over extremely well. At the heart of it is James Levine’s massive, stormy reading. The Met orchestra are in tremendous form; so is the chorus. Eva Marton sings with stinging power and passion; Plácido Domingo is a superb Calaf, Leona Mitchell is a silvery-voiced Liu. It is superbly directed and recorded…A clear first choice.” (The Classical Video Guide)

In its 88th year, the prestigious Verona Arena Festival honoured the legendary Italian stage director Franco Zeffirelli. Zeffirelli delivered an opulent staging af the fairy-tale story of the Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. The Russian soprano Maria Guleghina proved a brilliant Turandot, whilst tenor Salvatore Licitra’s trump card is his imposingly radiant voice of which he remains in sovereign control even in the role’s muchfeared tessitura. The soprano Tamar Iveri is a beautiful and sensitive Liù. The Orchestra and Chorus of the Verona Arena are conducted by Maestro Giuliano Carella.

The legendary Franco Corelli, world-renowned for his portrayal of Calaf, here stars in a magical RAI television production of what many consider to be Puccini’s crowning achievement. Under the creative direction of Mario Lanfranchi, this Turandot resonates with elements of Kabuki. Corelli, at the peak of his vocal powers, finds his match in the fiery Turandot of Lucille Udovich. Among her many credits, Udovich sang opposite Corelli in the noted 1954 revival of Spontini’s Agnes di Hohenstaufen at the Maggio Musicale Fiorentino; she also sang the role of of Elettra in the 1956 EMI studio recording of Mozart’s Idomeneo, under the direction of Sir John Pritchard.

Mention Giacomo Puccini's name and opera-lovers all over the world will think of grand opera and passionate love stories. One of the world's most famous arias comes from the composer's final opera, Turandot: "Nessun dorma" none shall sleep because by morning the Chinese princess is determined to have discovered the name of the unknown prince. The work is remarkable for its Chinese local colour, its opulent crowd scenes, its powerful choruses and its characters overwhelmed by their emotions. Enthusiastically acclaimed by its audiences, the present production combines spectacular and touching scenes on the Bregenz Festival's vast lakeside stage.

The charming story of Chinese princess Turandot who will only marry a suitor who can solve her riddles is presented in this adaptation of the opera by Giacomo Puccini.; Critically acclaimed filmmaker Chen Kaige directs this performance. The authenticity of this production is incredible, with its superb costumes and sets, all of which were designed in China.; Zubin Mehta conducts the Orquestra de la Comunitat Valenciana, and Maria Guleghina is a remarkable Turandot. The performance offers “genuine fireworks of sound.” (Wiener Zeitung)

Popularity seems to rest as much on chance as on merit, for it is difficult to understand why the Turandot Suite has never become a popular repertory piece. It has all the qualities of melodic appeal (its fifth movement quotes Greensleeves), resourceful invention and brilliant orchestral colour that should ensure its popularity. The two Studies, the Sarabande and Cortège, written in preparation for his opera, Doktor Faust, remain the composer’s masterpiece, highly searching and imaginative music that can claim to be profound, as, indeed, can the Berceuse élégiaque. Both performances and recording are very good, and this disc serves as an admirable and inexpensive introduction to a fascinating and underrated master.