Two of the major works that made Claudio Monteverdi the innovator of the musical world of his time were concentrated between 1607 and 1608 in Mantua: Orfeo, Favola in musica in 5 acts (24th February 1607, libretto by Alessandro Striggio Jr.) and Arianna, Tragedia in a single act (28th May 1608, libretto by Ottavio Rinuccini). The disappearance of any of Arianna's scores remains an unsolved mystery. We do not know what the musical style of the opera was, but from Rinuccini's libretto, we can guess that it was a development of the Florentine model of the Musiche di Iacopo Peri […] sopra l'Euridice del signor Ottavio Rinuccini (Florence, 6th October 1600).
As the counterculture movements of the late 1960s rippled across various parts of the globe, each region seemed to develop its own musical response based on a collision of outside influences, regional characteristics, and the creative spark of mind-expanding drugs. While America and Britain are generally considered to have filled psychedelic rock's high court, they are by no means its only vital contributors. Championed by prominent eccentrics like John Peel and Julian Cope, Denmark's underground rock movement was a particularly fertile one, producing an array of challenging acts like Young Flowers, Ache, and Burnin' Red Ivanhoe, all of whom get their due on Cherry Red's excellent Living on the Hill: A Danish Underground Trip 1967-1974.
This splendid seven-disc set marks Alicia de Larrocha's 2003 retirement from the concert stage after an extraordinary career spanning more than seven decades. To many listeners, she is a peerless performer of Iberian (particularly Spanish and Catalan) music. Indeed, as her rendition of Manuel de Falla's Nights in the Gardens of Spain demonstrates, this Catalan pianist brilliantly captures the indefinable magic and charm of Iberian music, revealing a timeless richness and depth that lesser artists, conforming to ideas of national style, often miss. It would be a mistake, however, to define de Larrocha as an "Iberian specialist." As this set demonstrates, her rich repertoire encompasses various traditions and a timespan from the late Baroque to the present, from Bach to Xavier Montsalvatge (1912-2002).
I heard many great performances of Mozart's Piano Sonatas including: Uchida, Arrau, Wurtz, Eschenbach, Horowitz, and Kempff to name few. But Gulda's tone and interpretation is exceptionally unique, he plays Mozart with full involvement, dedication, passion and inspiration I've never heard from any other player. Those tapes shed the light on a great artist at his most intimate moment of work, as those tapes were supposed to be personal and not intended for public, and hence the sound quality is not top notch but it's worth it considering the legendary performance.
Vladimir Horowitz confined himself mainly to the Romantic repertoire of the nineteenth century, particularly Schumann, Liszt, Mendelssohn and Chopin (in whose music, especially perhaps the mazurkas, he was held by many to be peerless). Horowitz recorded for RCA from 1927 to 1962 and for Columbia/CBS/Sony thereafter. The repertoire of this release includes Bizet’s Carmen variations, his arrangement of Sousa’s Stars and Stripes Forever, the Rákóczy March, Scarlatti and Clementi’s sonatas, as well as works by Mozart, Beethoven, Rachmaninov and Moszkowski.
Deutsche Grammophon, home to the greatest pianists, presents a collection of the most essential piano masterworks – a collection of the most beautiful, exciting and moving pieces for piano; presenting the world’s best composers, popular works, and outstanding performances from Deutsche Grammophon’s unrivalled roster of pianists: from the greats – Horowitz, Gilels, Richter, Argerich – to the younger generation: Seong-Jin Cho, Alice Sara Ott, Vikingur Ólafsson, Hélène Grimaud, Yuja Wang. Also represented are the new faces of composition – Max Richter and Ludovico Einaudi.
Over 1,000 years, from the Byzantine Empire to the Napoleonic Wars, Venice played a key role in shaping the Western music. Jordi Savall and his ensembles pay a tribute to a place that fully profited from its priviliged links with the Orient while hosting geniuses like Monteverdi, Gabrieli and Vivaldi. As you have come to expect from Alia Vox, this CD-book is lavishly illustrated and documented.