Turks

Kamasi Washington - Heaven And Earth (2018) {3CD Set Young Turks ‎YT176CD} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.16 Gb | MP3 @320 -> 439 Mb
Full Artwork @ 600 dpi (png) -> 362 Mb | 5% repair rar
© 2018 Shoto Mas / Young Turks ‎| YT176CD
Jazz / Contemporary Jazz / Soul Jazz / Jazz Funk / Orchestral Jazz / Saxophone

Truly tremendous work from saxophonist Kamasi Washington – a set that may well even blow away his groundbreaking Epic album – given the scope of soul and spirit in the music! As with the previous project, this one's double-length, but maybe feels even more fitted to the mode – as Washington leads this incredible ensemble that unifies a jazz group, orchestra, and choir – all at a level that might even top some of Alice Coltrane's early 70s albums for Impulse! There's a richness in vision here right from the start – music that knows what it is, where it's going, and what it can accomplish – very personal, but also very welcoming too – just the right sort of spirit to help get the nation back on track! Washington blows tenor throughout – and gets great help from Cameron Graves on piano, Brandon Coleman on organ and keyboards, and Miles Mosley on bass – whose work alone really seems to drive the proceedings!

Kamasi Washington - Harmony of Difference (2017) {Young Turks YTCD171} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (jpg) -> 191 Mb | 5% repair rar
© 2017 Young Turks | YTCD171
Jazz / Contemporary Jazz / Soul Jazz / Jazz Funk / Orchestral Jazz / Saxophone

t's tempting to hear Kamasi Washington's six-track Harmony of Difference suite as a follow-up to his sprawling, justifiably acclaimed three-hour debut The Epic. But this EP, at just over half-an-hour, is, in many ways, a standalone work. It was performed in New York at The Whitney Biennial as part of a show that included a film by director A.G. Rojas and paintings by Washington's sister Amani. According to the artist, it was composed to explore "the philosophical possibilities of the musical technique known as 'counterpoint.'" Washington defines it as "the art of balancing similarity and difference to create harmony between separate melodies." That description is, at least in this setting, akin to metaphor in the current socio-political-cultural era where flash point battles over issues of race, gender, sexual orientation, and cultural appropriation are being waged afresh.