tv Studio Production

In the autumn of 1984 Anthony Phillips (ex-Genesis) was commissioned by music publishers De Wolfe to write and record an album of library music for use on TV and Film. In marked contrast to the solo 12-string pieces he was working on at the same time for Twelve, the library project had a number of requirements in the initial brief, one of the key ones being the use of then-contemporary electronic drum and synthesiser sounds.
Anthony composed a number of tracks for the project and scored a selection of them which were then recorded by some top session musicians (credited on the original album sleeve under the name 'X-Cess') in De Wolfe's London studio in the spring of 1985…

In this course, Jim Pavett will give you a detailed overview on every aspect of the recording process, with hands on projects covering how to set up your monitors, how to handle phase issues, and how to properly place microphones. Although there is some theory involved everything is well explained, complete with hundreds of helpful visuals. Jim will take you through a complete journey of the fundamentals of audio recording.

Sessions is our new range of tutorials aimed at helping producers fully comprehend some of the most important and popular processors, effects and instruments in their arsenal, and more importantly, how to use them knowledgeably during any production work.

A Visual Guide to Recording, Engineering & Production. David Gibson's hugely popular The Art of Mixing, the book that has taught a generation of mixing engineers, comes to life with over 3-1/2 hours of vivid, animated instruction on one feature-packed DVD! With Gibson's exclusive three-dimensional framework, you'll learn the right way to create every style of mix for any style of music.

The Audio Masterclass Music Production and Sound Engineering Online Course. Volume 1 (Module 1-6)

This course, unlike others, is not all theory. The course is about listening to our audio examples, learning what makes a good recording, understanding how things can go wrong, then making your own recordings and having the option of getting them listened to.
Each module contains not only Audio Example Files demonstrating the material covered in the online Course Manual, but also audio material demonstrating the Practical Assignment Project for that module. You get to hear work done to a professional studio standard, and also some less-than-perfect recordings so that we can show you how things can easily go wrong, and explain how to avoid these problems.